A new adaptation of the Shakespeare classic King Lear features a bizarre cast – one human and nine sheep! 24-year-old Alasdair Saksena plays the human, a director who tries to persuade his cast of sheep to perform the tragedy. ‘King Lear with Sheep’ is, needless to say, every bit as absurd and hilarious as it sounds.

The play is the brainchild of actor Saksena, writer Missouri Williams, and producer Lucie Elven – all in their early 20s. The idea came about after Missouri, having worked on a tour of King Lear with a human cast, got sick of them. “There’s little references to sheep within the text that I think planted the idea in Missouri’s head,” Saksena said. “And so she decided to do King Lear with sheep and me. And I thought, you can’t really say no to that, can you?”

According to Saksena, the reason why this adaptation works is the thin line between tragedy and comedy. “Lear is so tragic and sheep are so untragic that it just sort of works – it comes together and is either desperately sad or desperately funny depending on what mood is catching at that particular point of time,” he explained. Read More »

Alcohol-fueled productions of Shakespeare’s plays are the latest trend among theater circles in New York and other American cities. Several theatrical groups are experimenting with boozy versions of some of the brilliant playwright’s greatest works – with amazing results! Audiences seem to love watching drunk actors bungling lines at their favorite bars and pubs.

The Drunk Shakespeare Society is one of the groups at the forefront of the movement. Founded by Scott Griffin in New York, the team of actors perform Shakespeare’s plays while drunk, weaving improv comedy into the text. They proudly describe themselves as a ‘company of professional drinkers with a serious Shakespeare problem’. They routinely perform at various bars across the city, and they’re currently putting on a limited engagement at Quinn’s Bar & Grill near Times Square. Anarchy rules at these performances, as they invite the audience to drink along with them.

Griffin believes that audiences are drawn to the spontaneity of the act – these are anything-can-happen performances that simply cannot be replicated. “You can see so many amazing things YouTube and digital entertainment. What’s the point of going out to see live performance?” he asked. “You have to do things people can’t get at home.”

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Les Plasticiens Volants is a world-renown theater group that stages monumental performances using giant inflatable puppets, some over 20 meters long.

Ever since it was established, in 1976, the unique group has been entertaining audiences world-wide withe their amazing shows. From just two members, the group has grown to a company of 30 enthusiasts who create the puppets and masterfully operate them over the heads of the audience, telling a story. According to the members of the Les Plasticiens Volants, the advantage and at the same time the biggest challenge is building a marionette without a solid or fixed structure. They bend in the air and turn their heads in a way that makes them seem alive. But, as you can imagine, they are lot harder to control from the ground.

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Usually, when members of the audience fall asleep during a play, it means the show was pretty boring, but at the Barbican Theater, in London, it’s considered a success.

Most plays are designed to excite and entertain spectators, but the Barbican’s “Lullaby” was conceived for a totally different purpose – it aims to put you to sleep long before the final act. Guests are asked to arrive at 10:00 pm sharp, and bring their pajamas and toothbrushes, as they’ll be spending the night in one of the beds crammed inside the theater’s hall. Single, double and triple beds are available, so you can enjoy the show by yourself or share the bed with someone you know.

Once spectators have put on their pajamas and taken their place in the pre-booked beds, lights are dimmed and the show is off to a slow, gentle start. It combines singing and storytelling designed to send you off to dreamland before proceedings come to an end, around 1 am. Instead of applause, actors are rewarded with occasional snores, as they take a bow before their sleeping audience, but that just means they did a good job. When lights are turned on, at 7:30 in the morning, spectators are treated to a classic English breakfast, to send them on their way.

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