If you thought creative jobs like acting would be among the last to be taken over by AI-powered robots, think again, as ‘b’, the world’s first film to feature an AI robot in the lead role was just announced.

The upcoming film, which reportedly revolves around “a scientist who discovers dangers associated with a program he created to perfect human DNA and helps the artificially intelligent woman he designed (Erica) escape,” stars Erica, a humanoid robot powered by artificial intelligence which is also conveniently immune to the highly contagious novel coronavirus.

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Robin Lachhein, 31, and Judith Schneider, 30, a couple from, Germany, have a very interesting hobby – they travel around the world to recreate iconic movie scenes in the exact same locations they were filmed at.

Robin and Judith met at a friend’s party 10 years ago, and they’ve been visiting famous film locations for the last six years. At first it was just a personal hobby they kept for themselves, only posting photos they took around their home, but then friends started noticing them when they came over and praising their talent for recreating iconic scenes. Instagram had been gaining popularity, so they started their very own page, aptly named ‘Secret Famous Places’, which has gained tens of thousands of followers.

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The Angry River is a short interactive film that uses eye-tracking technology and artificial intelligence to gauge who the viewer looks at and where their eyes linger most on screen. The film then edits itself into one of five possible storylines, to suit the viewer’s interest.

The Angry River is basically a film with the interactivity of a multiple-ending video game, only instead of using a controller or a keyboard to make choices that impact the storyline, you do it with your eyes instead. Armen Perian, the filmmaker behind this groundbreaking project says that he was inspired by something one of the members of his editing team said three years ago. It sounded crazy at the time, but a seed was planted in Perian’s head, and with the advancement in artificial intelligence, that crazy idea became reality.

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Ever watch a whole season of your favorite TV show just to have a friend casually tell you how it ends just before the final episode? Or did you ever like a movie so much that you wish you could see it again without knowing anything about it, just to experience the same feelings? Well, thanks to a new and intriguing service, now you can!

UnSpoil Me is a service developed by Samsung Electronics Nordic in partnership with famous Swedish hypnotist and mental coach Fredrik Praesto, which allegedly allows users to hypnotize themselves into forgetting significant plot points and twists. Each self-guided session lasts 18 minutes and viewers are able to guide themselves through the process by following a series of on-screen prompts and listening to Praesto’s commands.

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Filmmakers usually strive to make their productions as entertaining and engaging as possible, but the people behind “Baa Baa Land”, an epic 8-hour movie scheduled for release this September, set out to do just the opposite. With no dialogue, no plot and no human actors, just lots and lots of sheep, the so-called “world’s dullest movie” was designed to put viewers to sleep.

Produced by Calm, a company that produces mindfulness meditation products, Baa Baa Land is being advertised as “the ultimate insomnia cure” and “better than a sleeping pill”. It was filmed in Essex, England, and consists of slow motion shots of sheep in a field. Basically, nothing happens for eight hours, but that was the whole the whole point. Producer Peter Freedman, said that he believed it could be the dullest film ever made, adding: “We hope that audiences will, too”.

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Some people have problems sitting through a 2-hour movie without falling asleep, but that’s merely a blink of an eye compared to Ambiencé, an upcoming film by Swedish director Anders Weberg, which will last for a whopping 720 hours. That’s 30 days of continuous screening time.

After working in the field of visual arts for over two decades, Anders Weberg plans to end his career in 2020. But he wants to go out with a bang, by creating the longest film in the history of cinema. Called Ambiencé, the epic 720-hour work of art will be screened simultaneously on all continents, for one time only, after which the Swedish director plans to destroy all copies, so that it can never be screened again.

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Horror and gore fans are never going to tire of the timeless classic Jaws. And to enhance the experience, they’re coming up with bigger, scarier ways to watch Steven Spelberg’s blockbuster. The latest idea is to have the audience watch it on a giant screen while sited on rubber rings floating on a lake, at night. It’s all fun and games until someone yells “Shark!”, then panic ensues.

The event, aptly dubbed ‘Jaws on the Water’, is being hosted by Alamo Drafthouse, a theater in Austin, Texas. They actually first hosted the special screening over a decade ago,and to celebrate the film’s 40th anniversary they’re bringing it back at the beginning of August.

“It’s one of the most talked about events we’ve ever produced: back in 2002, we invited the brave people of Austin to join us for a special screening of JAWS where we would point our giant outdoor Rolling Roadshow screen toward the water, and the audience would all watch while floating on inner tubes,” the cinema chain wrote on their website. “It’s still one of the most talked about events we’ve ever produced, and so after years of hearing those stories whispered, we decided it was FINALLY time to bring the event back, and to bring it back in a BIG way!”

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The West African nation of Ghana is home to a subculture of artists who create outlandish versions of popular Hollywood movie posters. The art form was at its peak in the nation during the 1980s and 1990s, commonly referred to as the ‘Golden Age of Movie Posters’. During this time, artists would let their imagination run wild in order to create posters that would never fail to draw audiences to Africa’s dilapidated cinema halls. So they used their artistic license to add weapons, scenes and characters that didn’t even exist in the original movie!

The art form began to lose momentum in the 2000s, when Ghanaians purchased their own TVs and VCRs, causing several movie houses to close down. But over time, the lurid hand-painted posters have only increased in value. In fact, several Western art collectors are willing to pay thousands of dollars for them. Some of the artists who have been out of work for several years are now finding a new lease of life in reproducing posters of more recent movies for art aficionados.

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Boyhood is a groundbreaking coming-of-age film created by American film director and screenwriter Richard Linklater. While other coming-of-age films use different actors to play the protagonist at various ages, Boyhood uses the same boy to tell the fictitious tale of a child growing into a young adult.

The experimental film was shot over a span of 12 years and  lead actor Ellar Coltrane was chosen for the part of Mason in 2002, when he was only 7 years old. Since then, the cast of the movie had reunited every summer to shoot a new phase of the Mason’s life.

Cast alongside Ellar were actors Ethan Hawke and Patricia Arquette – Mason’s parents – who also aged naturally throughout the film, adding to the realism of the story. Mason’s sister is played by Linklater’s real-life daughter Lorelei, who grows from a young girl to an adult before our very eyes, as the movie progresses.

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If you’re a Japanese samurai movie buff, you know that there’s always at least one guy who dies in the most peculiar manner. He’s stabbed, or slashed, or sliced with a Samurai sword, and then he twists into weird shapes before he keels over and dies. Well, now you get to know the man himself – Seizo Fukumoto. He’s been dying in Japanese cinema for over 50 years now, and he’s one of the top ‘kirareyaku’ actors – stuntmen who specialize in being killed by the hero samurai.

Being the bad guy who always gets might not sound like much, but Fukumoto says that it’s a crucial part in the movie. “The way my characters die has a huge impact on the impression the lead character gives in a film.” The more ‘cringe-worthy’ the death, the better the hero looks. According to the 71-year-old thespian, a true kirareyaku is “the one who can make them ask, ‘Is he okay?’”

He deliberately adds an awkward grotesqueness to his movements while dying; this is called ‘buzama’ in Japanese. “Whenever we die, we have to do it in a way that is unsightly or clumsy, not graceful,” he explained. “In this buzama, we find beauty. To die in an uncool way is the coolest.”

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Beetlejuice might have been very popular back in the 80s and 90s, but the character is hardly remembered these days. Of course, things are different for New Yorker Bruce Christensen, a loyal Beetlejuice fan. The owner of the only Beetlejuice museum in the world, run out of his rent-stabilized studio apartment on West 34^th Street, 48-year old Christensen has over eighty artifacts related to the 1989 movie character.

Christensen’s obsession with all things Beetlejuice began in 1991, when he was just looking around at a KB Toys outlet on Long Island and found a Beetlejuice figurine with a removable head for just 99 cents. He bought one, but he couldn’t stop thinking about it all night. So the next day, he ran back to the store and bought as many varieties of the action figures as he could, like the Showtime Beetlejuice, Spinhead Beetlejuice, Shish Kabab Beetlejuice and Phantom Flyer. His collection started off very small and expanded as he travelled. When he went to Amsterdam he found bottles of Beetlejuice; in Hollywood he found the typewritten script and the original press kit of the movie. Over the years, friends also started gifting him Beetlejuice merchandise and memorabilia. When the 400 sq. ft. museum opened, he had only 57 artifacts, but now the collection has grown to over 80. Some of the other gems in Christensen’s collection include a VHS tape of the movie, Michael Keaton’s autograph, and a Beetlejuice comic that he purchased off EBay. And in case you’re wondering about those bottles of Beetlejuice, well, they do contain a liquid of some sort, which according to the label is five-and-a-half percent alcohol.

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It had to happen sooner or later. Olive is the world’s first feature film of cinematic-quality to be shot using a smartphone. The film was released in Santa Monica’s Nuart Theatre this week.

Olive is the first film of director Hooman Khalili. He shot the entire film with the Nokia N8 smartphone, which has a high-resolution camera. The camera was adapted with a 35-mm lens to give the film additional depth. The project was quite low on budget, costing just $500,000. It was partly funded by Chris Kelly, a Silicon Valley attorney and former Facebook executive. According to Kelly, films that are shot using smartphones are important because they give everyone access to creating high-quality content. In this context, Olive may just have marked the beginning of a change in the way the film industry functions. Kelly points out that with this kind of film-making, big studios wouldn’t control the industry anymore, and the very pricing and economics of making a film could change.

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Fans of ‘The Godfather‘ movie hold on to your chairs, the coolest line of collectibles is about to hit the market.

MINDstyle has just announced it has signed an agreement with Paramount Licensing Inc. to launch a line of art toy collectibles, inspired by ‘The Godfather‘ movie. This cool Don Vito Corleone marionette will be presented in a limited edition collectors box, on July 19th, at the “Familly Tradition” art exhibition, in Los Angeles.

Two more Michael Lau-designed toys will follow in the fall, so stay tuned.

via MINDstyle