Do-Dodonpa, the world’s fastest-accelerating roller coaster, has been temporarily closed after a number of people broke their backs or necks after riding it in the last nine months.

Located in the Fuji-Q Highland Park, in Fujiyoshida, Japan, the Do-Dodonpa roller coaster has been operating since 2001, offering riders an adrenaline-fueled experience. It is famous for being able to accelerate from 0 to 180km (112 miles) per hour in just 1.56 seconds, which makes it the world’s fastest-accelerating roller coaster. Despite its  “super death” speed, Do-Dodonpa had never been associated with rider injuries until December of last year, when people started suffering bone injuries after going on the roller-coaster. Six cases have been reported since, four of which involved broken back or necks.

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Japanese parents are sending bags of rice that weigh as much as their babies to relatives who can’t visit them because of the Covid-19 pandemic.

As is customary in many cultures around the world, when a Japanese couple welcomes a baby into the world, relatives come to visit the family and celebrate, but because of the pandemic and social distancing rules, that hasn’t been possible of late. However, a resourceful rice shop owner in Kitakyushu city, near Fukuoka, found an ingenious way of making money from the humble grain by selling it as replicas of newborn babies.  Rice babies, as the replicas are now known in Japan, are bags of rice that weigh exactly as much as the baby they are replacing, and that have photos of the baby printed on them. They are sent to relatives so they can hug the new human while looking at a picture of their face.

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Buying works of art can become an expensive habit, but what if you didn’t have to buy the artworks and instead lease them for however long you wanted? That’s the premise of an ingenious Japanese business that lets people rent paintings.

Casie is an innovative service that connects painters and art lovers in a whole new way. Instead of brokering the sale of artworks it offers clients the possibility of leasing them by the month. It sounds a bit strange, maybe because it just hasn’t been done before, but if people can rent designer clothes and expensive jewelry, why can’t they do the same with art? Apparently, this model benefits both artists, who are able to generate more revenue from their works in the long term, and clients, who get to keep the paintings until they get bored of them and decided to swap them for new ones.

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Hoshizuna-no-Hama, which translates to “Sand in the Shape of a Star”, is a small but charming Japanese beach famous for its star-shaped tiny grains of sand.

Located on Irimote, the second-largest island in Okinawa prefecture, Hoshizuna-no-Hama doesn’t look too different than the hundreds of other beaches in the Japanese archipelago, at least at first glance. Closer inspection reveals that many of the sand grains have a very recognizable shape – either a five or six-tipped star. That’s because Hoshizuna-no-Hama beach consists in part of billions of exoskeleton of foraminifers, marine protozoa that thrives on the ocean floor. Their calcium carbonate shells remain behind after their death and are constantly washed ashore by the ocean, creating this stunning natural wonder.

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Kagami Numa is a mythical Japanese lake that turns into a giant eye every spring, during the thawing process, hence its nickname, Dragon’s Eye Lake.

Located near the summit of Mount Hachimantai in north-eastern Japan, in the middle of a dense forest, Kagami Numa doesn’t look much different than the many other volcanic lakes in the area, most of the year. But for about a week – ate May to early June – it turns into a giant blue eye that inspired its intriguing nickname, Dragon’s Eye Lake. The unique appearance of the circular lake during this one week has inspired a legend of two dragons in love that chose this body of water as their meeting spot.

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The “Class of Life” is a controversial program introduced in various Japanese middle-schools where students spend months raising and getting attached to fish, before having to decide whether to eat them or not.

A part of the Sea and Japan Project sponsored by Nippon Foundation, the Class of Life was introduced in a number of schools across Japan in 2019, with the goal of teaching young students about the work that goes into land-based aquaculture, the challenges the activity involves, and last but not least, the importance of life. To this end, students in classes 4th to 6th are entrusted with a number of small fish and tasked with raising them to maturity for at least six months and up to a year. The controversial aspect of the program is that at the end, the students need to decide the fate of the fish, whether to release or eat them…

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“Remote cohabitation” has become a hot topic in Japan over the past couple of days, after a popular TV show reported that young couples prefer to live separately and keep in touch using free video call apps.

On July 21st, TV Asahi’s ” Hatori Shinichi Morning Show” featured remote cohabitation as a growing trend among young Japanese couple who either prefer or are forced to live separately. It involves the use of free video call apps like Line or Skype to keep in touch for hours on end, even all through the night. A couple used as an example during the show, said that they leave the app open during the night so they can “wake up together”, and only turn it off when they are at work. This way they feel like they are together, even though one lives in Tokyo and the other in Ibaraki Prefecture.

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A video of a high-tech sink that comes with a special slot for cleaning your smartphone as you wash your hands has been getting a lot of attention on social media.

Sadly there isn’t much context to go with this viral TikTok clip originally posted by @kensei_prochari_, but then again, the video itself is pretty self explanatory. Here we have what looks like a fancy sink that features a thin slot where users can place their smartphones while they wash their hands. But that slot is more than just a holder; it “sucks” the phone inside where it proceeds to purge any and all viruses and bacteria by exposing the handheld to UV rays. When you’re done washing your hands, the cleaned smartphone is pushed out through the same slot.

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A team of Japanese researchers recently unveiled a weight-shifting contraption that attaches to a glass, making it feel heavier or lighter than it actually is, thus altering the drinker’s perception of the beverages they are consuming.

It has long been known that we consume foods and drinks with a number of senses, not just our taste buds. There is a reason why chefs go through the trouble of developing eye-catching plating techniques, or why specialty cafes rely on the scent of freshly ground coffee to attract patrons. But did you know that the weight of the glass can influence the drinker’s perception of the beverage they are drinking. A team of scientists at the University of Tokyo proved this with the help of an ingenious device that changes the weight of the glass depending on the position it is in.

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While most real-estate firms try their best to conceal potentially disturbing details about the properties they are trying to sell or lease, one Japanese company puts these details front and center, focusing on the advantages haunted or spooky houses have.

Jikko buken, the Japanese term for “accident properties” are a controversial aspect of Japanese culture. The term describes generally undesirable homes, be it because of their proximity to cemeteries or crematoriums, or because of disturbing events that took place in them, from suicide, to accidental deaths or even murder. Because Japanese law states that any potential buyer or renter needs to be notified about any such details, the term “accident property” is generally used. But while most real-estate companies avoid giving details about the “accidents” in their listing, Jobutsu Estate, aka Buddhahood Real Estate, has built its business model around giving potential clients as many disturbing details as necessary.

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Hikaru Cho is a Tokyo-based body painter who specializes in surreal body art created using a combination of body paint and makeup.

Tokyo-based artist Hikaru Cho may only be 27-years-old, but she is already one of the most highly regarded body painters in the world, having worked with big brands like Samsung or Shiseido, and organizations like Amnesty International, among others. A graduate of Musashino Art University, Cho is one of the world’s most promising young body painters, and if her work so far is any indication, there’s a lot of impressive stuff to look forward to in the future.

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Having been running for the last 15 years, TV Asahi’s Zenryokuzaka is one of Japan’s most longstanding television shows, which is a bit strange considering its simple premise.

Every night at 1:20 a.m., Monday to Thursday, thousands of people tune in to TV Asahi to watch the latest episode of Zenryokuzaka, a bizarre show featuring women running up steep streets. Each episode lasts no more than six minute, including the opening and closing credits, and focuses solely on following the protagonist as she runs up the street. It’s an extremely simplistic concept, even for late-night TV, but one that has somehow remained popular in Japan for the last 15 years.

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Tsumaki Shachihoko is a rare Japanese moth that features impressive natural camouflage which allows it to perfectly mimic small twigs in order to avoid predators.

We’ve always found natural camouflage fascinating here at Oddity Central, and simply searching the term in our search box will yield over a dozen amazing examples of natural mimics. Today we are adding yet another master of camouflage to our ever-growing collection – Tsumaki Shachihoko, a moth found in various forested areas of Japan, where it manages to keep itself safe by mimicking a small twig fragment. Seen from afar, the moth is virtually impossible to tell apart from an actual twig, complete with imperfections such as chipped bark and brownish “broken” ends.

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Seven years after being busted for allegedly stealing over 200 pairs of women’s shoes, a Japanese man was once again arrested and deprived of his collection of 139 pairs of women’s footwear.

On June 10, following the raid of a local man’s home, police in Murakami, Japan displayed a rather unusual haul – 139 pairs of worn nurse shoes, high-heel pumps and sandals, neatly arranged on a large blue tarp. They had been found in the possession of Tsunehito Isobe, a 47-year-old office worker known to have a strange fetish for used women’s shoes. Interestingly, the same man had been arrested for the exact same crime seven years earlier, when his 200-pair collection was confiscated by police.

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The Aruka Shrine in Japan’s Ebina City is the oldest shrine in all of Sagami Province, but to the general public it’s known for a unique ceremony that involves a priest wearing a 2-meter-long headgear in the shape of a green onion.

Negi-san, the head priest at Aruka Shrine has been performing the green onion ceremony for about four years , but it only went viral last year, when photos of the priest wearing the bizarre headgear went viral on Japanese social media. It was a pretty weird thing to see, even by Japanese standards, but that only made it more interesting. Here was this masked priest wearing a green skirt and white shirt matching the green-and-white green onion on their head bending over to pass through a small circle wrapped in rope. It made no sense, and yet, everyone was intrigued.

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