Amsterdam-based artist Cedric Laquieze creates creates eerie yet intriguing sculptures of fairies by piecing together various dead insect parts.

Over the last 20 years, Cedric Laquieze has created hundreds of unique insect fairies by piecing together bug parts that complement each other in terms of color and texture. He collects dead insects specimens given to him by breeders, takes them apart and then glues various parts (shells, legs, antennae, wings, etc.) together to create his fantastic faeries. Although some people are creeped out by Cedric’s creations, others find them utterly fascinating, and praise the artist for piecing together creatures that look almost lifelike.

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Japanese artist Yoneji Inamura spent six years of his life collecting 20,000 beetles of different varieties and using them to create a five-foot sculpture of a popular Buddhist deity.

It’s unclear how and when exactly Inamura started catching and collecting beetles. Some sources claim that it was during his days working for the local railroad, in Itakura, Japan’s Gunma Prefecture, after noticing that the rhinoceros beetle’s horn resembled the fingers of the Buddhist deity, while others say that he was helping local children collect beetles and just became fascinated with them. Living in a rural area of Japan, Inamura was always surrounded by various types of beetles, including rhinoceros beetles, winged jewel beetles, drone beetles, longhorn beetles, just to name a few, and he dedicated most of his free time to catching and adding them to his collection.

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UK-based artist Julie Alice Chappell has chosen an unusual medium for her sculptures – discarded electronics. She tears out circuit boards and other components from broken devices, and converts them into delicate insect figurines.

Julie’s introduction to the unique art form occurred several years ago, when she happened to find a big box of tiny electronic components at ‘The Craft Bank’, in Portsmouth, UK. “The first thing that came into my head when I looked at them was, ‘a mass of tiny bodies and legs… ants!’ I took them home to my children and we made ants.”

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After experimenting with candy and toothpaste paintings, Mexican artist Cristiam Ramos is now working with preserved butterflies. He spends several hours pouring over each wing, painstakingly decorating them with detailed replicas of classical paintings.

Butterfly wings don’t naturally make for good canvases – they’re small, and the texture isn’t altogether right for painting. They’re each about 12 cm in length, so Ramos has to use a magnifying glass to get the intricacy and details right. He spends a good 56 hours painting each wing, meticulously applying one brushstroke at a time.

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Damien Hirst is known as one of the most controversial artists of our time, and his latest work only adds to his reputation. Capaneus, part of the ‘entomology‘ series that hirst has been working on since 2009, features hundreds of insect species placed in intricate geometric shapes and fixed in place with household gloss paint.

Considering many people find insects, spiders and scorpions disgusting or even frightening, it’s fair to say Capaneus is not an artwork for the faint of heart. However, considering Hirts’s past “masterpieces” include a diamond-encrusted baby skull, and an installation where maggots hatched, developed into flies and feasted on a severed cow’s head in a glass box, I’d have to say his latest creation is one of the least controversial. According to the English artist’s website, “this work’s title derives from Dante’s ‘Inferno’ which recounts how the warrior king Capaneus is struck down with lightening and thunder bolts by the angered deities whom he has held in contempt. Dante’s account originates from the Latin epic poem ‘Thebaid’ in which it is described how, body and helmet aflame, Capaneus falls from the walls to the ground below where he lies outstretched, ‘his lifeless body as immense as that of a giant.” Like the rest of the artworks in the “entomology” series, Capaneus alludes to Hirst’s long time interest in the nineteenth century fascination with natural history and the irony involved in having to kill something in order to look at it.

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