Some people are just born with an insane amount of talent. Take 31-year-old Nikola Čuljić, a self-taught artist from Serbia. He has been actively drawing for only three years, yet look at the wonders that he’s able to produce with some pencils, markers and pastels.

People had always told Nikola Čuljić that he had a talent for drawing, but he just wasn’t very interested in it. Then, three years ago, he decided to give it a shot, so he started drawing ultra-realistic portraits. That turned out to be very hard, and the young artist realized that he wasn’t very good at it, or, at least not as good as he wanted to be. Čuljić wanted to be the best, and anything less than that just didn’t satisfy him, so he decided to try something different. And that’s how he got into hand-drawn 3D illusions.

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A YouTube video of a monk praying calmly in a vat of boiling oil has recently has been doing the rounds online, leaving viewers wondering how the monk can keep from screaming in agony.  Social media users were enthralled by the possibility of this Thai monk’s ability to defy physics with his ‘magic’. Unfortunately, skeptical scientists soon pointed out a few facts that pretty much ruined the illusion.

The monk, from Thailand’s Nong Bua Lamphu province, looks at ease despite sitting in a vessel of oil with a fire raging underneath. He is also seen sharing his magical powers with others by touching objects that they pass to him. His followers believe that his touch can make their amulets or pieces of fabric powerful. These objects are apparently sold to the locals and other places of worship.

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The Mystery Spot, located in Santa Cruz, California, is sort of like a house of illusions. Here, water flows upwards, cars and balls roll uphill, short people appear to be the same height as taller ones, and people can lean forward up to 45 degrees without falling flat on their faces. It seems as though the normal laws of gravity just don’t work here.

The Spot is actually a large barn located on a 150 square-foot patch of  hillside land. Visitors are permitted to enter the shack after paying the owners an entry fee. They are shown a variety of unbelievable sights, like plumb bobs hanging almost parallel to the floors, billiards balls rolling uphill and people standing at impossible angles. The shack itself appears to be falling over, pulled down by strange forces. Adding to the mystery is the fact that people sometimes lose their balance, become disoriented and even feel ill within its four walls.

Discovered in 1939, the area around the Mystery Spot was originally supposed be the building ground for a summer cabin, but rumor has it that when surveyors tried to chart the plot, they found that their instruments acted crazy over one particular patch of land. The people who stood on this spot claimed that a mysterious force seemed to be trying to push them off balance, making them feel light-headed. The owners eventually abandoned their plan to develop the site and a year later, they opened the Mystery Spot as a tourist attraction.

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Famous Hungarian artist Istvan Orosz creates intricate optical illusions that always hide a human skull. The presence of the eerie element is more obvious in some of his works than in others, but they are all equally impressive.

If you like optical illusions, you’ll love Orosz’s anamorphosis. The meticulously executed works of art will trick you into thinking you’re eyes are looking at Medieval-themed drawings before you spot the cleverly disguised skulls. I don’t know why the Hungarian graphic designer, poster artist and film director chose a skull as the main element of his works, but his talent or optical illusions is unquestionable.

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Peruvian artist Cecilia Paredes uses a mix of make-up, paint and costumes to make herself disappear in her own paintings. Like the real-life invisible man, Liu Bolin, she  is a master of blending-in the background.

Paredes explains her technique as a way of making herself part of the landscape ïn a quest of belonging”.  “The theme behind all is re-location after displacement and migration and how one has to adjust in order to belong. Tough it is, but it has to be done, without forgetting our origin,” the artist explains. With the help of her assistants, she applies make-up and body paint, and sometimes slips into special suits to make herself a subject of her own artworks. Unlike human chameleons like Liu Bolin, Cecilia Paredes sometimes likes to let her presence get noticed by the viewer, by leaving her hair stand out and letting them see the whites of her eyes, like in the artwork below.

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