The West African nation of Ghana is home to a subculture of artists who create outlandish versions of popular Hollywood movie posters. The art form was at its peak in the nation during the 1980s and 1990s, commonly referred to as the ‘Golden Age of Movie Posters’. During this time, artists would let their imagination run wild in order to create posters that would never fail to draw audiences to Africa’s dilapidated cinema halls. So they used their artistic license to add weapons, scenes and characters that didn’t even exist in the original movie!

The art form began to lose momentum in the 2000s, when Ghanaians purchased their own TVs and VCRs, causing several movie houses to close down. But over time, the lurid hand-painted posters have only increased in value. In fact, several Western art collectors are willing to pay thousands of dollars for them. Some of the artists who have been out of work for several years are now finding a new lease of life in reproducing posters of more recent movies for art aficionados.

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Izikhothane, which loosely translates to ‘brag it’, is a South African subculture of youths who dress themselves in designer clothes they can barely afford. They arrive in minivans at public spots and participate in elaborate dance-offs against rival gangs. During these performances, they indulge in burning wads of cash, destroying their clothes and spilling expensive food and alcohol on the streets. Why, you ask? To show off, obviously.

“To be Izikhothane, you have to be like us. Buy expensive clothes, booze, fame, girls, driving, spending. And when you are dressed in Italian clothing it shows that you’re smart,” said one gang member. In a nation where almost 50 percent of youths are unemployed, this sort of blatantly extravagant act is rather surprising. Most of the Izikhothane are funded by their working class parents with modest incomes.

There’s also a huge generation gap between these youths and their parents. Most of the Izikhothane belong to a generation that grew up after the end of white minority rule, unlike their parents. According to one kid, “Being born free means we can shop where we want and the country is no longer under oppression. We can express our views without being imprisoned.” Some use the extravagance as a means to escape their poverty, and for others it is just a culture of bling.

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In an interesting new trend in Thailand, young men are choosing to dress themselves as Mexican gangsters. Their clothes (or lack thereof), hairstyles, and tattoos are all inspired by criminal gangs in Mexico and the US. They have even formed their own gangs – Balcony Pain, Fratez, and D Sixty, to name a few. But of course, copying dressing style won’t really make criminals out of decent men. None of these young copycats actually appreciate the brutal violence associated with real-life Latino gangs, they are just really big fans of the gangs’ fashion style and brotherhood mentality.

More than anything else, these men appreciate the ‘clean and simple’ gangster aesthetic because it suits the Thai weather very well. You’d actually be surprised to know that most of them hold nine to five jobs as teachers, policemen and bureaucrats. Some are family men who ask their wives’ permission before getting inked. Needless to say, they don’t fight, shoot each other or deal in drugs. They’re more like this large brotherhood of style-conscious men who bond well over their passion for gangster lifestyle and clothes.

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Take tens of thousands of children, place them in the largest stadium in the world, arm them with giant colored flip-books containing hundreds of colored panels, train them to move in perfect unison and you get the awe-inspiring human mosaics of the Arirang Mass Games, in North Korea.

The Arirang Festival Mass Games held in Pyongyang, are the largest and most impressive exercise of state propaganda in the world. The event runs from August to October, and offers an incredible spectacle of perfectly choreographed gymnastics, dancing, singing, and of course, praising the achievements of the communist nations’s eternal leader Kim Il-Sung.  The games aren’t held every year. They are suspended in case of national emergencies, like when flooding ravages the country and the Government decides the hundreds of thousands of performers are better put to use repairing the destroyed infrastructure. But when the trained human pixels get the chance to perform on Rungrado May Day Stadium, in front of a crowd of 150,000 people, they make the performers of the 2008 Beijing Olympics opening ceremony look like a group of children staging a simple school play. Every 20 seconds for a period of two hours they switch the panels of their flip-books to create stunning mosaics honoring Korea’s cultural heritage and its political regime.

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As the 21st head of the Ban clan, a line of ninja that can be traced back 500 years and the only living person who learned all the skills that were directly handed down from ninja masters, Jinichi Kawakami is considered by many the last real ninja in all of Japan.

63-year-old Kawakami, a retired engineer, says he started practicing the art of Ninjutsu at the age of six. He was just a young boy when he began training under master Masazo Ishida, a man who dressed as a Buddhist monk, and didn’t even realize what he was learning until years later. He was required to endure extreme heat and cold, as well as pain and hunger. To improve his concentration, he would have to look at the wick of a candle until he got the feeling he was inside it, and practice hearing the sound of a needle falling on a wooden floor. He climbed walls, jumped from great heights, learned chemicals and making explosives and even studied weather and psychology. “The training was all tough and painful. It wasn’t fun but I didn’t think much why I was doing it. Training was made to be part of my life,” Jinichi told AFP. Just before turning 19, he inherited his master’s title, along with his old scrolls and tools. Although he doesn’t claim the title of “last ninja” for himself in order to avoid disputes with other claimants and doubters, he is recognized as Japan’s last real ninja master.

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While the whole world is obsessed over getting thin, it seems there are far-flung places in the world today where fat is still considered a thing of beauty. Not in a good way, though. In the West African nation of Mauritania, it is so important for girls to be fat that they are sent away to fat camp – the opposite of the western version – during school holidays, to put on oodles of weight.

According to women’s rights campaigner Mint Ely, girls as young as five are subjected to the tradition known as Leblouh each year. Leblouh is an attempt to groom young girls for potential suitors, involving the consumption of gargantuan amounts of food; even vomit, if it refuses to stay down. Ely says that in Mauritania, a woman’s size indicates the space she occupies in her husband’s heart. So to make sure no other woman can ever have room, girls are sent away for Leblouh at special farms where older women will administer the necessary diet. It’s rather appalling to know that 5, 7 and 9-year-olds are expected to consume a daily diet of two kilos of pounded millet mixed with two cups of butter and 20 liters of camel’s milk. Their daily consumption comes up to a whopping 16,000 calories.

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Three years ago, Eitaro lost his mother, a dedicated geisha, to cancer. Ever since then, he and his sister have been carrying on her legacy, running a geisha house and overseeing a group of six other geishas.

26-year-old Eitaro first performed as a female dancer at age 10, at one of his mother’s geisha parties. He started taking dance lessons at the age of 8 and when he was just 11-years-old, he performed at Japan’s national theater. He was clearly a natural geisha, and a trivial thing like gender wasn’t going to stop him from following his calling.  Eitaro’s mother, a skilled and charismatic geisha, dedicate her life to reviving Tokyo’s geisha culture, after the last geisha house had closed its doors during the 1980’s Japanese real estate bubble. As a boy, Eitaro grew up watching her perform, and just like his sister, Maika, he was fascinated by her elegance. But, three years ago, they lost their mother to cancer, and it became their responsibility to carry on her legacy. Now, Eitaro is the master of an ‘okiya,’ a geisha house in Tokyo’s Omori port district, and together with his sister and a groups of six other geishas, entertain customers at geisha parties.

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Cross-dressing in most societies is something that most people aren’t comfortable with. But then there are places where the practice is accepted as a way for families to raise their social standing. One such place is Afghanistan, where women live such highly restricted lives that they resort to dressing like men. The cross-dressing is mainly reserved for little girls, whose parents dress them up like boys before sending them out into the world. They are called bacha posh (“dressed like a boy”).

‘Bacha posh’ is the name given to girls who don a boy’s costume. So a family could have daughters, sons and also bacha poshes. A bacha posh is accepted and enjoys all the freedom of a real boyin Afghan society. They have the right to go to school, to travel, to play sports and even to get a job. Inside the home and outside, the bacha posh would be treated like any other male would, even while being referred to in the third person. Among a group of boys, many would not even be aware of the presence of a bacha posh. Should the true gender of the child be discovered somehow, it would be ignored and the pretence would continue as before. Parents who have no sons prefer to convert one of their daughters into a bacha posh to raise their social standing. In a society where having a male child is of utmost importance and a matter of pride, bacha poshes fill in the son’s shoes perfectly.

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The grass is always greener on the other side, to quote the cliche. Those who have glasses don’t want them, and those who don’t, will wear them with no lenses!

This is the latest fad in Hong Kong and several other Asian countries. It’s common to find people sporting empty plastic frames, in a variety of bright colors that match their outfit or their hair. It might confuse you as to why anyone who didn’t have to wear glasses would want to. But they seem to have reasons of their own. According to popular radio host Chu Fun, the empty glasses are great because they match her outfits, but they are also practical. When she doesn’t have time to put on makeup, the lensless glasses are great to cover up dark circles, she says. They also don’t blind her by fogging, or get stuck to false eyelashes or mascara. Chu has four pairs already, in black, pink, red and purple.

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I’m sure we can all agree Gadget Hackwrench is an adorable character, but do you like her enough to worship her like a goddess?

If you’ve never heard of the cute Gadget Hackwrench, she is a Disney character from the Chip ‘n Dale Rescue Rangers cartoon series. This female mouse was the team’s pilot, mechanic and inventor. That’s all pretty impressive, but she’s hardly worthy of her very own cult, don’t you think?

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Announced for over a year now, the world’s largest underwater museum recently received its first exhibits.

The seabed of the Mexican Caribbean is now host to a series of life-size sculptures on display in Mexico’s Underwater Museum. But they are just a few of the 400 statues that will be lowered down to the bottom in the following months.

Located in the National Marine Park, the Underwater Museum aims to raise environmental awareness by creating an artificial reef. Scientists hope the statues will attract young algae that will color them vividly.

Photos by Jason de Caires/BARCROFT MEDIA

via Telegraph.co.uk

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