Whether painted or sculpted, I’ve always found hyper-realist artworks fascinating, but Bruno Walpoth’s masterpieces are particularly impressive simply because they are carved from large pieces of wood.
I’m not saying working with other materials to create realistic shapes is easy, but turning something as rigid as wood into works of art that seem almost alive takes something truly special. Bruno Walpoth uses simple carving tools to turn pieces of wood (lime and walnut) into human sculptures with detailed features that seen from afar look incredibly life-like. Only on closer inspection does one notice the carving marks on their skin, left intentionally as quiet reminders that these mind-blowing figures are not human. “Contrary to Geppetto, who constructed himself a child (Pinocchio) out of a piece of wood to banish his loneliness, Bruno Walpoth attempts, perhaps out of awareness of life’s transience, to immortalize the volatile spark of youthfulness he catches in the eyes of his models – sometimes his own children – into a wooden sculpture,” Absolute Art Gallery‘s Diana Gadaldi says about Walpoth’s work.