A Chinese art student recently conducted an intriguing experiment in which she spent three weeks living the good life in Beijing without spending a dime, by pretending to be a well-off socialite.

Zou Yaqi, a 23-year-old art student at the University of Beijing has been getting a lot of attention for her unique graduation project which saw her disguising herself as a socialite in order to enjoy special treatment and help her survive for three weeks without spending any money. For most of May of this year, the young student slept on plush sofas in the lobbies of five-star hotels in the Chinese capital, sipping wine at various events and stuffing her face at free buffets. And she did it all just by pretending to be a rich socialite.

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A man has spent the first 100 days of 2021 livestreaming 24/7 from a locked room in Los Angeles, but he plans to stay there for the rest of the year, or even longer, if he gets the right financial incentive.

34-year-old Tim C Inzana has been locked in a shed since the start of the year, and he has no intention of coming out anytime soon. The Los Angeles artist he hopes to spend at least a whole year isolated like this, and then sell his livestream in a custom frame as an unusual piece of art. Right now, he is streaming for free on Twitch, but plans to find people willing to shell out $5 million and keep him locked for a whopping 5 years. He has also offered to stay isolated for 1o consecutive years, if someone agrees to pay him $10 million for the effort.

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Ever take a look at your Facebook friend list and wonder ‘how many of these people are actually my friends?” Well, artist Tanja Hollander did, and after thinking about if for a while, she decided to find out the answer to that question by visiting all of her 626 Facebook friends. She documented the experience in an epic 5-year-long project called “Are You Really My Friend?”

It all started on New Year’s Eve 2010, when, after conversing with some of her online friends, Maine-based artist Tanja Hollander stared wondering what her relationship with all the people in her Facebook list was. She asked herself if friendships formed online were as real as offline ones and if many of her “friends” were actually just acquaintances. “Am I really friends with all these people?” Tanja told herself, and she immediately knew she had to find out.

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Alberto Frigo is a man on a mission – for the past 11 years the 36-year old Italian has been photographing every single object that his right hand has touched. And he plans on continuing the bizarre project until he reaches retirement in the year 2040.

Frigo said that he had been fascinated about the idea of recording his life many years before he began the project. He tried embedded cameras for a while, but found the experience frustrating. Writing a journal did not appeal to him either, because the writing eventually fades.

The idea finally came to him in September 2003, and he started photographing every object his right hand came into contact with. Soon, he got so addicted to it that he simply couldn’t stop. And now it’s become a habit. “At this stage, my left hand now naturally photographs my right hand using objects without me really thinking about it.”

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You would think that a woman living with a mannequin family has got to be some sort of weirdo. Contrary to that expectation, Suzanne Heintz comes across as fairly normal. As normal as an artist can be, that is.

Suzanne is an art director at Starz Entertainment Group in Englewood, Colorado. Every day for the past 14 years, she has been coming home from work to her unique family – her synthetic husband Chauncey and never-growing adolescent daughter Mary Margaret. Over the years, she has traveled 16,000 kilometers across America and all over the world, taking happy portraits with her plastic loved ones as a part of an art project called ‘Life Once Removed’.

Before the mannequins became a part of her life, Suzanne said she was routinely badgered with questions like, “When are you getting married?”, specially by her mother. “Nobody’s perfect,” her mother said to her about 15 years ago, “If you are going to get married, you’ll just have to pick somebody.” To which Suzanne replied, “Mom, it’s not like I can go out and buy a family and make it happen.” Or could she?

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Some artists are willing to do anything for their masterpieces, including risking their freedom. American Duke Riley is one such artist. He walks the fine line between legal and illegal in his new project called “Trading with the Enemy” which involves smuggling cigars from Cuba to Key West using pigeons specially trained for this shady task.

For “Trading with the Enemy,” Riley, who makes a living as a tattoo artist, started off by training 50 birds. Some were taught to carry cigars from Cuba to their destination – which, if you don’t already know by now, is illegal, and some were given special cameras to document their trip back and forth over the boarder. The spying equipment was engineered by Riley himself who worked for several years to make them as light as possible so the pigeon’s wouldn’t even notice them. According to the New York Times, the artist’s concept was a commentary on “the long history of pirating on the southern border.” Riley also wanted to dismiss the government’s very expensive high-tech spying gear by using homing pigeons instead of drones. “I wanted to subvert this billions-of-dollars high-tech system with things that were being used in ancient Sumeria. A lot of the work I do seeks to create some sense of possibility or empowerment, in a humorous and romanticized way, using the simplest means possible,” Riley says.

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The next time you look in the mirror and ask yourself “what am I?”, a correct answer could be: a living, breathing camera. Last year, two art students, Luke Evans and Joshua Lake, conducted an unusual experiment in which they swallowed several pieces of film to capture the digestive system at work. Their art project was aptly named “I Turn Myself Inside Out”.

At first glance, the artworks of Kingston University students Luke Evans and Joshua Lake look like a collection of specimens captured under a microscope, when in fact they are stills of their digestive systems doing what they do best, process stuff. The two young artists said “we wanted to bring our insides out” so they swallowed several piece of 35mm photographic film and let their bodies do the rest. They’re no doctors, so they didn’t know for sure if this would affect their health in any way, but as a precaution they put the film inside brightly colored capsules to avoid damage to their colons (those things have sharp edges). After eating the film, the two Graphic Design & Photography students waited for nature to take its course and hoped for the best. When the time came, they did their “business” in a bag, took it to a dark room and started looking for the capsules. Luckily, their bright color made them easy to spot. After retrieving the film strips, they scanned them with an electron microscope which revealed some interesting images of their insides.

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