Steve’s Weird House is a Victorian home decorated with all kinds of oddities and unusual artifacts one would expect to find in the Adams Family mansion.

Steve Bard, also known as “Weird Steve” is just an average guy from Seattle who has dedicated his life to decorating his humble abode in the most unusual way possible. Every inch of his house is covered with curiosities, circus sideshow exhibits, antique medical instruments and all kinds of other weird junk. The items in Steve’s collection include the world’s smallest mummy, Siamese twin calves, wreaths woven from human hair, skeletons, and various two-faced animals.

Apart from all the creepy decorations he collected over the years, Steve has also put together a veritable Toaster Museum with over 150 antique toasters, a Funky Future Room decorated in the style of “The Jetsons” and “Barbarella”, and a Minotaur Garden set up in his back yard. The latter features a 13-foot-tall bust of a minotaur, a 25-foot-tall Rapunzel Castle Tower and a sinister cemetery.

Unfortunately, Steve’s Weird House isn’t an attraction open to the general public. He likes to keep all his precious esoteric collections to himself, although he could probably make loads of money if he turned his house into a tourist spot. Still, you can check out the inside of this real life Adams Family mansion through a virtual tour and two Youtube videos, at the bottom.

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Pigs of God is a controversial Taiwanese festival and contest where pigs that have been force-fed for years are publicly slaughtered, then put on floats and paraded through the city streets.

The origins of this gruesome event aren’t very clear, but while some say it’s part of the religious beliefs of the Hakkas, an ethnic group with a population of over four million in Taiwan, animal rights activists claim that in the last few decades it has become a simple meaningless contest used by families to show off their wealth and power. They are currently fighting for the banning of a clear form of animal cruelty, and the substitution of real pigs with ones made of dough, rice or flowers. Read More »

Kelly Coxhead, 32, got engaged 10 years ago and has since then been trying to convince her fiancee to set a wedding date. Now, she’s closer than ever to tying the knot, all she needs is 1 million Facebook friends.

Fiancee Paul Mappelthorpe, a mechanic who lives with Kelly in Swindon, England, has now become arguably the most unromantic man in Britain after refusing to marry his partner until she gets one million Facebook users to join a group. While other women would have probably left him after hearing such a ridiculous claim, Ms. Coaxhead actually set up a group called ‘I NEED 1 MILLION PEOPLE TO JOIN FOR PAUL TO MARRY ME C’MON GUYS HELP ME lol’, and began asking family and friends to join.

”It just came out of nowhere. I thought ‘a million’ that sounds good.” Paul says, ”When you think there’s 67 billion people in the world it’s less than 0.1 per cent. I just like a challenge and I like the idea of setting a challenge for her. It’ll give her something to look at on Facebook.”

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Vladimir Aniskin is one of the few people in the world who can create microscopic artworks so tiny they fit on half a poppy seed.

The 33-year-old scientist, who works at the Syberian branch of the Russian Academy of Science, in Tyumen, has been practicing microminiature art since 1998, and devotes several months to completing a single piece. Over the years, he has learned to work in between heartbeats, which gives him about half a second to do a controlled movement before his hand shakes. “While working I hold my creation in my fingers. Even one’s heartbeat disturbs such minute work, so particularly delicate work has to be done between heartbeats.” Vladimir says.

His miniature masterpieces are created using powerful microscopes and a set of tools he himself designed, and to fully appreciate the fine detail of his art, one also needs a microscope. That’s because some of his works are measured in microns. Aniskin’s amazing portfolio includes a grain of rice inscribed with 2,027 letters, which took three months to complete, a caravan of camels in the eye of a needle, and a Christmas scene on a thin horse hair.

The following photos don’t do Vladimir Aniskin’s work justice, but if you’re ever in St. Petersburg, you can admire 80 of his microscopic wonders at the first Russian museum of micro-miniatures – The Russian Lefty.

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Yuri Babin, a retired military officer from the Russian city of Novosibirsk, has spent the last 13 year collecting a fortune of about 5 million kopek coins.

The kopek is 1/100th of a Ruble, the Russian equivalent of a cent. Babin began collecting them in 1998, following wide scale Russian bank defaults that caused the kopek to become practically worthless. Instead of trying to get rid of them, this Russian version of Mr. Scrooge decided to put together a huge collection of coins. He would pick them off the street and ask vendors to change his currency in coins of the lowest denomination.

The “kopek millionaire”, as locals know Yuri Babin, now has a fortune of around five million coins, which weighs over 7.5 tonnes, but is worth just 50,000 rubles ($1,500). But it was never about the value for Mr. Babin, he just loves bathing in his impressive fortune, and has even used a few kopeks to make his wardrobe shine.

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This wonderful collection of junk action figures was put together by Private First Class Rupert Valero, who is stationed at a forward operating base in Kandahar, Afghanistan.

A former oil rig engineer, Valero has been collecting and customizing action figures for years, but ever since he was sent to Afghanistan, he had to create his own action figures from recycled materials like bottle caps, soda cans and fabric. The artists/soldier says he has the mind of an engineer and never stops thinking about building things, whether they be robots, buildings, or anything else for that matter. It’s just his way of staying sane in a dangerous place like Afghanistan.

Because toys are universal, people react to them the same whether they are in the middle of the desert or in America, and Private Valero says they have allowed him to interact with the locals. By giving a child one of his upcycled action figures he puts a smile on his face and maybe takes his mind off doing something that he shouldn’t do.

You can buy Rupert’s upcycled action figures at reasonable prices, on his Etsy shop, and you can find an extended interview with him, here.

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44-year-old Shaun Mitchell, from West Lynn, Norfolk is a newspaper delivery man with an unusual passion for military vehicles. He likes them so much he put together a regular fleet of tanks, anti aircraft guns, jeeps and other vehicles, right in his backyard.

Shaun became obsessed with military vehicles when he was 18 years old, and he remembers the first one he saved money for was a World War 2 Austin Champ army jeep. Since then, this self-taught mechanic has bought and restored an impressive collection of vehicles that includes tanks, tankettes and anti-aircraft guns. He stores most of them in his back garden and when the weather allows it, he drives them through his local village.

”I get a thrill from working on something that’s totally different and the adrenalin pumps when you drive them out onto the road. It’s the smell and the whole atmosphere, people look at you and wave, everyone is interested in the vehicle.” Shaun says about his passion, but while his friends and family approve of his unusual hobby, because they get to ride around in his military vehicles, he admits it has affected his love life in a negative way. Because of his obsession with military vehicles, he had to end a 12 year relationship and is now looking for a girl who actually likes tanks as much as he does.

Shaun’s impressive collection of military vehicles includes an 8.1 tonne street-legal Sabre tank that reaches 50 mph, a WWII 1945 GMS Bolster Truck, a Polsten 20 mm anti-aircraft gun, a 1929 Carden-loyd machine-gun carrier, a Self-Propelled Abbot fighting vehicle and two Ferret Scout cars. Asked about how much they’re all worth, the collector said the Sabre alone is worth around $32,000.

”I don’t drink or smoke, I have no bad habits apart from the compulsion to buy military vehicles.” claims Shaun, who works as a newspaper delivery man, but spends two days a week restoring other military vehicles for a local tractor dealership.

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Standing alone in the heart of the desert, miles away from any water source and other vegetation , the Tree of Life, in Bahrain, is one of the world’s most remarkable phenomena.

The Tree of Life is located 2 kilometers away from Jebel Dukhan, atop a 25-meter-high sandy hill, overlooking a golden sea of sand. The mystery of its survival in such harsh conditions has made it a legend among the people of Bahrain, and has attracted people from all around the world curious to see it first hand. The 400-year-old natural wonder has baffled biologists and scientists for years, and even though they’ve come up with several theories, it remains an enigma. Seeing this is a mesquite tree, some say its roots spread very deep and wide, reaching unknown sources of water, but no one has been able to prove it.

Locals have their own explanations when it comes to the secret of the Tree of Life, but theirs have little to do with science. Many of them believe this is the actual location of the Garden of Eden, while Bedouins are convinced the tree has been blessed by Enki, the mythical God of water. Whatever the explanation, it’s amazing how Sharajat-al-Hayat, as the Arabs call it, has kept growing continuously for around 4 centuries.

While the Tree of Life is one of the most famous attractions of Bahrain, visitors are instructed to double check their gear and make sure their car doesn’t get stuck in the sand, as we are talking about the middle of a desert.

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Using nuts and bolts to connect various bits of metal, English artist Tom Hardwidge creates beautiful steampunk insects he calls Arthrobots.

They may look like metal toys, but Tom’s arthrobots are actually intricate steampunk sculptures inspired by real insects and built from various recycled metallic parts. The Manchester-based artist starts by drawing up a series of sketches, then starts looking for parts on sites like eBay, and local small shops. The assembling happens on the dinning-room table, to make sure no actual dinning takes place there.

In case you’re wondering what arthrobots are made of, Tom says most of them start off as pieces of deactivated ammunition, that are later covered with sheets of copper, brass or aluminum. Limbs, wings and antennae  are then attached, and no respectable steampunk creation would be complete without some old pocket watch gears and springs.

Arthrobots come in a cool-looking wooden box, together with a small leaflet which includes a series of details like the sculpture’s name, the phylum, order and class it belongs to and some of the early sketches. If you’re a fan of steampunk, head over to the arthrobots official site, for more details.

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Chicago-based artist Wayne Kusy uses thousands of ordinary toothpicks and gallons of glue to create impressive-looking models of famous sea vessels.

50-year-old Kusy remembers he built his first toothpick model when he was just a child in the fifth grade. It was an Indian tepee and it got him a B+ in class, but toothpicks were to play a much bigger part in his life. He moved on to build a house out pf toothpicks, then a year later he started working on a ship that didn’t come out perfectly, but wasn’t far off the mark either, so he decided to build another one. And, before he knew it, he was pretty much obsessed with toothpicks.

Wayne Kusy’s amazing toothpick fleet began to take shape when he bought a plastic Revell model of the Titanic, studied the blueprints and deck plans, and spent the next three years recreating it with 75,000 flat and square toothpicks. It was impressive to look at, but it was so big that his small Chicago apartment could barely accommodate it, and there was no way to move it out without hitting the corners of his home and damaging the ship. The Titanic lost a lot of toothpicks on its maiden voyage out of Wayne’s apartment, but it taught the artist a valuable lesson – from there on he designed his ships so they could be reassembled from multiple segments.

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A shopping mall in Vilnius, Lithuania, decided to surprise its shoppers on Valentine’s Day by offering them a unique visual treat – a room made entirely of dark and white chocolate.

“We wanted to create something special for Valentine’s Day. The chocolate room looks just like a traditional Lithuanian sitting-room,” Frederikas Jansonas, spokesman for the Akropolis shopping mall, said about the 17-square-meter space from floor to ceiling, and adorned with chocolate furniture and interior decorations, such as edible candlesticks, books, flowers and paintings.

A team of seven Lithuanian food artists used 300 kilograms (661 pounds) of chocolate to create this one-of-akind chocolate room, which sculptor Mindaugas Tendziagolskis says is “the best place for a romantic Valentine’s Day dinner”. What’s for dinner, you ask? Well, just look around and I’m sure the answer will come to you naturally.

But visitors will have to wait a little longer to have a taste of the chocolate room, as it will remain on display through March 8th – International Women’s Day – when it will be broken into pieces and distributed to visitors.

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Portland-based artist Jo Hamilton has a house full of balls of yarn,which she uses to create amazing crocheted portraits and landscapes.

Jo remembers she was only six when her grandmother taught her to to crochet, but it wasn’t until ten years later that she really dedicated herself to the old craft and started crocheting in a crafty way. She attended the Glasgow School of Art, where she experimented with both painting and drawing, but she felt that she needed an original medium to help her express her talent.

She was inspired to use crocheting as an art form after seeing an exhibition at the Portland Craft Museum that inspired artists to use techniques that are originally considered to be art. Happy that she had finally found a means of expression that she was comfortable with, Jo immediately started crocheting a cityscape made of six blocks, named “I Crochet Portland”. She now spends anywhere from forty five hours on a portrait, up to three years on one of her cityscapes, but the most important thing  is she never gets bored of crocheting.

The portraits Jo creates are incredibly detailed, and many people have speculated about the techniques and stitches she uses, but the artist claims her pieces come alive from the inside – it’s an organic process that implies no graphs, plans or charts. Of course, this means she doesn’t know the exact outcome of her effort, but Ms. Hamilton says she has learned to trust her way of working.

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Referred to as “the perfect place to die” in Wataru Tsurumui’s bestselling book – The Complete Manual of Suicide – Aokigahara is a thick, dark forest located at the base of Mount Fuji, famous as a popular suicide spot.

No one knows exactly how many bodies go undiscovered among the trees of Aokigahara forest, but the ones uncovered so far have already earned this place an eerie reputation. In 2002 alone, 78 bodies were located in Aokigahara, and by 2006, another 16 suicides were reported. Some of the victims even carried copies of Tsurumui’s book with them, which makes this even creepier. The whole place is dotted with signs that read “please reconsider!” or “please consult the police before you decide to die!” but these have little power on those determined to die here.

“We’ve got everything here that points to us being a death spot. Perhaps we should just promote ourselves as ‘Suicide City’ and encourage people to come here,” says the mayor of Aokigahara exasperated by the high number of suicides registered in the area. Locals claim they can always tell who is going into the forest to admire its natural beauty, and who isn’t planning on ever coming back. They say part of the reason people decide to commit suicide in Aokigahara forest is because they want to die at the foot of the sacred Mt. Fuji and because it’s so dense and thick that sounds from just a few kilometers inside can’t be heard outside the woods.

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Inspired by the work of mosaic art masters like Saimir Strati, artist Shannon Larratt has created a unique self-portrait from thousands of different nails and screws.

Shannon used a four foot sheet of heavy 3/4″ plywood as canvas and six different kinds of nails and screws space roughly 5/16″ apart. He estimates there are around 20,000 pixels in his project, and over 10,000 nails. The whole thing weighs around two hundred pounds, and the artist plans to hoist it up from an I-beam, in his studio.

The first thing Shannon did was take a photo of himself, which he then manipulated in Photoshop, so the colors would match the general range of the nails, and then converted it into an indexed color image using a custom palette that matched his nail set. He stacked up all these conversions as layers, and then started the manual labour, occasionally changing or shifting the nails slightly, to improve translation.

The result of his work is just incredible, although the artist says he has learned a lot from this project and he will do a lot better next time. But, because the process of creating one of these pixelated portraits is so time-consuming, Larrat doesn’t know exactly when he will start work on another one.

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John Taylor is a self-taught artists who uses scrap wood, computer parts, hockey sticks and various other discarded materials to create unique replicas of famous sea vessels.

John has been fascinated with ships ever since he saw a photo of his great-grandfather standing on the deck of a vessel, during the Spanish-American War. He was only a child, but the obsession stuck with him throughout the years, and, as an adult, he began creating these unique models of ships he saw in old photos. Working from his garage in San Juan Capistrano, he turns buckets of junk (computers chips, nails, copper wire, lawn chairs, drift wood, staples and more) into imperfect interpretations of old sea vessels.

A landscape architect by trade, John Taylor will use any materials he can find that will give him the old, tattered results he aims for. “If it’s an exact replica, there’s no room for you to really wonder about it,” he says, trying to explain why he creates models that look like they’ve been fished from the bottom of the ocean, instead of making perfect replicas of the ships that inspire him.

The 3 to 5 feet long models are based on real boats, from Civil War river boats to World War II battle ships, John finds in old photographs.They are an authentic rendition of memory, rather than accurate historical replicas.

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