For the last 400 years, Tibetan monks have been using butter from yak milk to create large and intricate sculptures inspired by stories of Buddha, animals or plants and putting them on display during the annual Butter Lantern Festival. Unfortunately, the long and difficult process of making these exquisite works of art has led to a shortage of gifted lama artists.

The art of butter sculpting was born from the Tibetan tradition of giving Buddha everything they got from their domestic animals. Nomadic tribes with large herds of sheep and yaks regarded the first butter from each dri (female yak) as the most precious one and offered it to Buddhist monasteries, where monks shaped it into beautiful colored sculptures and offered it to the enlightened ones. The tradition was passed on from generation to generation, and even today, dozens of Tibetan monks work for months on a single giant butter sculpture that must be ready before the 15th of January, the climax of celebrations of the Tibetan New Year, as it mark the triumph of Lord Buddha over his six non-Buddhist teachers who challenged him in performing miracles. During the day, people pray in temples and monasteries, and as the night comes they head to Lhasa’s Barkhor Street to admire the hundreds of artistic butter sculptures, ranging from just a few centimeters in size to several stories high. This colorful display attracts millions of tourists both from Tibet and abroad.

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Varya Akulova is one of those extraordinary human beings most people have never even heard of. Often referred to as “The World’s Strongest Girl”, Varya holds two Guinness records and is able to lift up to four times her own body weight.

Born in 1992, in the Ukrainian mining town of Krivoy Rog, Varya Akulova showed remarkable physical abilities from a very young age. When she was just one year old, Varya could do a handstand, at one and a half she did flips, at three years of age she started performing acrobatic routines with her parents, and by age four she was already doing powerlifting exercises with massive weights. When Varya’s mother, Larisa, became pregnant, her father, Yuri, started making plans about performing in the circus with his yet-unborn strong son, but when his wife gave birth to a girl, he knew his dreams would never materialize. But as the days went by, Yuri began to realize that with the right training, his daughter could become as strong as a man. The girl had stronger arms and legs than most babies her age, and soon he became certain Varya had inherited the Akulovs’ legendary strength. Historically, his ancestors served at the court of Catherine II and became known for their amazing abilities and toughness during the Russian – Turkish wars. And as the years passed, it became clear Varya was truly an Akulov, able to lift massive weights when other girls her age were busy playing with dolls.

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With a population nearing nine billion people and food shortages becoming increasingly problematic, the human race needs sustainable solutions if it wants to survive. Japanese designer Ai Hasegawa has come up with a very controversial approach to solving environmental and food-related issues – the possibility of women giving birth to various animal species and eventually eating them.

In one of her most intriguing projects yet, “I Wanna Deliver a Shark…”, Ai Hasegawa tackles “the problem of human reproduction in an age of over-population and environmental crisis.” She envisions the possibility of humans one day giving birth to their food and satisfying both their nutritional needs and that of giving life. The 33-year-old says having a human baby isn’t as simple as some people think, especially with our world about to face a major food crisis. She argues that bringing new humans into this world is definitely not the answer, but giving birth to endangered animal species might be just what we need to survive. “We are genetically predisposed to raise children as a way of passing on our genes to the next generation but we live in an age where the struggle to raise a child in decent conditions is becoming harder with gross over-population and difficult environmental conditions,” Hasegawa says. “We must also eat, and we are equally facing growing food shortages as a result of over-fishing, land use and a growing population. By giving birth to an edible animal it might place more value on that endangered species and help prevent it’s extinction.”

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The Huli Wigmen are a tribe that inhabit several villages in Papua New Guinea. They are known both as some of the most fierce warriors in the region and as masterful “hairstylists”who craft flamboyant wigs out of their own hair.

Not much is known about the origins of the Huli men’s tradition of crafting wigs from their own hair. When researchers discovered the tribe, they were already practicing the custom, and since they are believed to have lived in the area for at least 1,000 years, the tradition must have been developed sometime during this period. Males in their late teenage years and early 20’s leave their community behind and go to Bachelor school, where older man teach them all about manhood, including how to make beautiful wigs from their own hair. They are sequestered in the jungle for at least 18 months, after which they can return to their villages or stay a while longer to acquire more knowledge and improve their skills. The wig-making process starts with the trainees growing out their hair. When it’s big enough, the shaping of the wigs begins while the hair is still attached to their heads. Most of the shapes are saucer-like, so the men have to sleep with bricks and other objects under their heads to keep their heads off the ground and prevent the hair from getting flattened.

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Valerii Danevych, a wood-crafting master from the Ukraine, has dedicated his life to making functional wrist-watches entirely out of wood, with the sole exception of a metal spring needed to propel the movement.

We’ve posted our share of unique wristwatch creations on Oddity Central, from the bombproof Kaventsmann Triggerfish Bronze A2 to the amazing wristwatch part motorcycles of Jose Geraldo Reis Pfau, but nothing quite like the wooden marvels of Valerii Danevych. Coming from a long line of cabinetmakers, the Ukrainian craftsman has always had a fascination for wood. He started making miniatures in his early school days, including an impressive 3cm guitar with human hair strings, but as he grew up and his skills improved, restoring wooden objects and creating tiny artworks just didn’t give him any satisfaction anymore. He just couldn’t get the idea of creating complicated mechanical things out of his head, so in 2005, without having any training as a watchmaker, he began working on functional wooden wristwatches. It took a while for Valerii to determine which type of woods were most suitable for the tiny parts needed, and  for him to learn the basics of watchmaking, but by 2008, he had completed his first functional wooden pocket watch.

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Unemployment in Europe has recently hit record highs, and although Denmark has been shielded from the eurozone’s economic problems thanks to its low public debt, qualified professionals are still finding it tough to get a job. Danish marketing firm Reputation Copenhagen has come up with an ingenious way of helping academics get noticed – putting them on display in storefront windows.

Many highly-trained professionals, ranging from former CEOs to lawyers and tax experts are currently finding it increasingly difficult to find decent employment on the Danish job market. Some of them have been trying for years, leaving their resumes with dozens of companies, without ever hearing back from them, and are now at a point where they are willing to try anything. Even putting themselves in display windows like mannequins, hoping to get noticed by someone in need of their services. Alexander Peitersen, managing director of Reputation Copenhagen came up with the idea of using his company’s office as a storefront for the campaign, as there are many businesses nearby that might be interested in the talent on display. So he set up a small desk, put up the “an available academic is sitting here” sign, and asked the unemployed to just sit in the windows like merchandise. It seems like a pretty desperate measure, but at least it works; according to the agency’s website 3 of the job-seekers in their window display got a job in a day or two.

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You thought your boss was bad? He’s probably a nice guy compared to the boss of this cosmetics company in Chongqing, China, who recently forced his employees to crawl on their hands and feet in the city’s busy commercial district, in front of hundreds of onlookers.

The controversial event took place on May 2nd, and broadcast live on many Chinese users’ microblog accounts. Later, photos taken by bystanders showing the humiliated employees crawling on their knees with their heads facing the pavement were posted online, causing even more outrage. Some people even notified the police, who showed up on scene and cleared the area. It turns out it was all just a drill ordered by the company boss, who wanted to test his workers’ resistance to pressure. And what better way to do that than have them crawl like dogs in front of strangers taking photos and laughing at them, right? Most likely, he wanted to see how much humiliation his employees were able to bear, so he could exploit them to the maximum without them quitting. If something like this happened in a Western country, the boss would probably be taken to jail or at least sued for damages, but according to Chinese media reports, all the police did in this case was “criticize” and “educate” the cosmetic company’s leadership. Inhumane working conditions all over China have been reported in the past, but this is just borderline slavery.

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Take tens of thousands of children, place them in the largest stadium in the world, arm them with giant colored flip-books containing hundreds of colored panels, train them to move in perfect unison and you get the awe-inspiring human mosaics of the Arirang Mass Games, in North Korea.

The Arirang Festival Mass Games held in Pyongyang, are the largest and most impressive exercise of state propaganda in the world. The event runs from August to October, and offers an incredible spectacle of perfectly choreographed gymnastics, dancing, singing, and of course, praising the achievements of the communist nations’s eternal leader Kim Il-Sung.  The games aren’t held every year. They are suspended in case of national emergencies, like when flooding ravages the country and the Government decides the hundreds of thousands of performers are better put to use repairing the destroyed infrastructure. But when the trained human pixels get the chance to perform on Rungrado May Day Stadium, in front of a crowd of 150,000 people, they make the performers of the 2008 Beijing Olympics opening ceremony look like a group of children staging a simple school play. Every 20 seconds for a period of two hours they switch the panels of their flip-books to create stunning mosaics honoring Korea’s cultural heritage and its political regime.

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As the 21st head of the Ban clan, a line of ninja that can be traced back 500 years and the only living person who learned all the skills that were directly handed down from ninja masters, Jinichi Kawakami is considered by many the last real ninja in all of Japan.

63-year-old Kawakami, a retired engineer, says he started practicing the art of Ninjutsu at the age of six. He was just a young boy when he began training under master Masazo Ishida, a man who dressed as a Buddhist monk, and didn’t even realize what he was learning until years later. He was required to endure extreme heat and cold, as well as pain and hunger. To improve his concentration, he would have to look at the wick of a candle until he got the feeling he was inside it, and practice hearing the sound of a needle falling on a wooden floor. He climbed walls, jumped from great heights, learned chemicals and making explosives and even studied weather and psychology. “The training was all tough and painful. It wasn’t fun but I didn’t think much why I was doing it. Training was made to be part of my life,” Jinichi told AFP. Just before turning 19, he inherited his master’s title, along with his old scrolls and tools. Although he doesn’t claim the title of “last ninja” for himself in order to avoid disputes with other claimants and doubters, he is recognized as Japan’s last real ninja master.

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Locomotive-shaped grills are not exactly unheard of, but a team of Russian metal workers have taken it upon themselves to set a new standard by building a unique and awesome-looking Steampunk locomotive barbecue grill.

This practical work of art was created by a group of metal workers from the village of Deulina, near the city of Ryazan, in Russia, who specialize in interior, exterior and landscape design. The one-of-a-kind Steampunk grill was apparently forged from scrap automobile, motorcycle and train parts, and is currently installed on a private property where very few have the privilege to see it in person. Luckily for the rest of us, the builders took a set of photos for a Moscow exhibition-competition, since their locomotive was too heavy to transport. The grill was apparently built in 2009, but the pics only recently surfaced on a series of Western sites and forums. The little information available on the Steampunk locomotive grill is in Russian, and although Google Translate does a decent job of revealing the essential, there are few paragraphs that don’t make much sense. Here is what I was able to make out: the locomotive has three work bays – two 60-cm-long grilling pits in the main body and a trailer that acts as a stove. The first compartment is designed for barbecuing kebabs and can accommodate up to twenty skewers, while the second one is equipped with a rotating spit for roasting chicken and large pieces of meat. Some of the locomotive parts are actually functional, like the large brass wheel in the cabin that rotates the spit.

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David Rees, a cartoonist, humor writer and self-proclaimed pencil sharpening artisan runs a truly unique business. He charges customers $15 to sharpen their pencils to perfections, using a variety of tools, from pocket knives to sandpaper.

I know what you’re thinking – is this a joke? The 39-year-old entrepreneur gets asked that question a lot, so to clarify everything he even created a special section on his Artisanal Pencil Sharpening website telling everyone that he’s actually providing a real service: “If you start a pencil-sharpening business, you can expect to hear this question a lot. The short answer? No, this is not a joke. You pay David Rees money and he sharpens your pencils. It actually happens.” You can supply your own pencil or you can have Rees sharpen his one of his favorite #2 pencils and ship it to you in a in a display tube with the shavings in a separate bag along with a certificate of authenticity that just happens to mention the pencil is so sharp it is considered a dangerous object. To achieve the desired result, the master sharpener uses all kinds of tools, including general sandpaper, pocket knives and even a special $450 sharpening machine. “It depends on what the client wants to use their pencil for,’’ he says. “That determines the most appropriate pencil technique. Some buy them as inspirational tokens, and others for nostalgic memories of classic No. 2 pencils. There also are journalists who prefer my pencils to pens especially in really cold weather because a pen will freeze up, whereas a pencil won’t.’’

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Barbers in China’s Sichuan Province have practiced the art of eye-cleaning with a sharp blade for centuries. Like many other ancient traditions, this dangerous trade is slowly vanishing, but you can still find a few barbers willing to scrape your eyeballs with a knife for as little as RMB5 ($0.80).

According to an old Sichuan saying, cleaning the eyes makes the beauty of life more visible, and some people are prepared to go under the knife to make sure they don’t miss a thing. Nicknamed “knife-blade eye cleaning”, the practice of scraping a person’s eyeballs and eyelids with sharp utensils has been a part of Chinese culture ever since ancient times. The craft was supposedly popularized by brothers Zhou Chengfu and Zhou Chengyin, who followed their father’s footsteps and excelled in the technique of servicing the eyeballs, ears and necks of clients, but in recent years it has almost died out. Still, if you look hard enough, you can still find eye-cleaning stands even in modern cities like Sichuan’s capital, Chengdu. 53-year-old Liu Deyuan has been successfully running his small eye-cleaning business for 7 years, offering a head shave and an eye scrape for just RMB5. With many long-term clients lining up to get their eyes cleaned every month, the skilled barber says business is still pretty good. Read More »

Steve Ludwin, a 42-year-old snake obsessed rocker from California, is one of a just a handful of people who regularly inject venom from the world’s deadliest snakes into their bloodstream, in the belief that it will make them immune to it.

Around 100,000 people around the world die from snake bites every year, and another 250,000 are permanently disabled, but these statistics don’t seem to scare Steve Ludwin. Every week for the past 23 years he has been injecting a venom cocktail from the world’s most dangerous snakes, trying to train his antibodies to resist the poison. By gradually increasing the quantity and frequency of the injections, he believes one day he will become immune not only to snake poison, but other viruses as well. Steve currently has a collection of 28 potentially deadly reptiles in his home, but he is always on the lookout for new additions, scouring European countries for missing specimens and attending snake conventions. On injection days, he expertly milks his snakes for a few milligrams of venom and visits an immunologist to have his killer shot. Within minutes, the muscles in his arm quadruple in size for around 24 hours, as his white blood cells struggle to fight off the poison. The doses he can take these days would kill the average person, but Steve usually goes to a rock concert right after the injection…

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The Peabody Hotel in Memphis is famous not just just for its exemplary service, but also for a truly unique attraction – the March of the Peabody Ducks, which involves a performing troupe of, you guessed it, ducks. The whimsical experience is enjoyed by guests both young and old alike, every day of the year.

The daily routine of the Peabody Ducks goes something like this – each morning, at exactly 11 a.m., five North American mallard ducks, four hens and one drake, come down from their $100,000 penthouse in the hotel in their very own private elevator. As the doors open, the ducks take their positions on a plush red carpet in front of their Duckmaster. Then they begin to march to a rousing rendition of John Philip Souza’s King Cotton March. When they reach the orchid-tipped marble fountain in the Grand Lobby, the birds ascend four red-carpeted steps and splash around in the fountain’s water. They stay there until 5 p.m., when the procession is reversed and they march back to their elevator, returning to the Royal Duck palace for a quiet evening.

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Life without Fear is an increasingly popular hands-on course that helps people overcome their phobias and anxiety by putting them through a series of extreme trials, including walking on hot coals, sitting on broken glass, swimming in ice-cold water and even eating pieces of burning cotton.

There are people dealing with fears all around the world. In most western countries experts rely on psychology to help patients confront and beat their phobias. Acknowledging your fears, talking about your problems and visualizing yourself overcoming them are some of the most widely used methods, but in Russia, they have a more direct approach. Life without Fear is a two-day course during which participants go through all kind of extreme challenges and facing their greatest fears head on. Created by Valery Bochkarev, a life coach and fire interaction expert, and Alexander Blagov, a personal trainer and martial arts fighter, Life without Fear relies less on theory and lectures and more on direct contact in order to convince people that fear is just an illusion that can easily be overcome. The main idea is to push participants into doing things they never thought themselves able to, whether it be stopping falling knives with their stomach, dancing with balls of fire or breaking wooden poles with their neck.

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