Michael Fennel is an exceptional artist who uses a very strange medium to create art – smoke. For the last 16 years he has developed a special technique of manipulating smoke on wooden panels to create mesmerizing paintings.

Although Fennell’s smoke painting techniques remain a well-kept secret, the artist does reveal that “Smoke as a drawing medium is of course fundamentally flawed – it is tremendously volatile and a line cannot be drawn with it, but perhaps more importantly you can easily ignite your paper and burn down your studio! Smoke is a unique medium that is not drawn, painted, printed, rubbed, flicked, blown or sprayed on – so what could we say – air borne? It can create the most beautiful blacks, that are ‘luminous’ and have depth to the extent that charcoal is flat and pale next to it. It an also create melting, nebulous edges and a great range of tones to rival those of photography.”

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Zaria Forman’s paintings of icebergs are so realistic that just looking at them actually gives me the chills. Her 2012 collection, Chasing the Light, is a tribute to her mother who died from brain cancer. She also hopes to raise awareness to climate change through her work.

Forman has a unique style of creating art. “When I travel, I take thousands of photographs and make small sketches. Once I am back in the studio, I draw from my memory of the experience, as well as the photographs to create large scale compositions. I add layers of color onto the paper, smudging everything with my fingers and hand,” she said.

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We love all kinds of unusual art here at OC, and Miguel Cardona’s unique paper cups fit the bill perfectly. The San Francisco-based illustrator and professor of design takes ordinary coffee cups and transforms them into stunning collectibles. His doodles cover a range of subjects – from aliens to sea creatures, and even the face of Walter White (of Breaking Bad fame).

Cardona’s love affair with cups began last year, when he happened to visit a café near his workplace. The barista tied a napkin around a takeaway cup, and Cardona thought it looked like a scarf. So he quickly sketched a hipster around it. On subsequent cups the scarf became a doo-rag and then a Ninja Turtles’ mask.

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You don’t really need an expensive canvas to make beautiful art. Rick Minns, from Wicklewood in Norfolk, proves that a dirty old van will do the trick.

Seriously, if someone like Rick lived in my area, I’d never clean my car. I would  just leave it coated with layers of filth, hoping he’d find it and do his thing. Rick, or ‘Ruddy Muddy’ as he’s now being called, creates amazing works of art in the grease, mud and dust collected on unwashed vans parked in the streets.

Rick said that he had often wondered if people would like to find art on their cars, rather than the usual ‘clean me’ and other rude messages scribbled in the dust. That’s how he got the idea for ‘Graffilthy Art’. “I was a bit bored at work one day, with a bit of spare time on my hands and thought it would be like a bit of fun,” he said. When no-one complained, he took it as a good sign and kept going. “I played around with a few things and they sort of developed from there.”

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Pigeon droppings may be smelly and disgusting, but did you know they could also be an inspiration for jewelry? Don’t worry, no one’s actually putting droppings in jewelry. But an English artist is making broaches that resemble the shape, size and color of pigeon poo.

30-year-old Frances Wadsworth-Jones, from Ealing, West London, has created a new line of broaches called ‘Heaven Sent’. Each piece in the collection is made from crushed semi-precious and precious gems like black diamonds, sapphires and tourmaline. The gems are set together in imitation of splattered pigeon droppings.

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This has to be one of the most bizarre art-forms I’ve ever seen. Spanish artist David Cata has taken ‘hand embroidery’ to a whole new level. Using needle-and-thread, he embroiders portraits of people who have impacted his life on to his palms. He calls the series of works ‘a flor de piel’, which means ‘Under the Skin’.

You have to be a pretty intense person to be able to do something like this. Granted, he only embroiders the top layer of his skin, but it’s still got to hurt when he accidentally pierces his flesh! I watched two videos of his work – one where he sews on to his palm and the other where he (rather brutally) rips out the stitches. I really couldn’t finish watching the latter. Let’s just say that there was some blood involved.

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What’s 31 inches long, one inch thick, has no legs, and slithers through the ground? No, it’s not a snake, it’s an earthworm! The Giant Gippsland, found in Gippsland in south-eastern Australia, is the world’s largest species of earthworms. Fully stretched, it can measure up to two meters in length.

These slithering giants are surprisingly gentle creatures. They are quite hard to spot, spending most of their lives deep underground. Higher water content in the soil helps them breathe better. Their burrows can be as deep as 3 to 5 feet below the surface. Sometimes, heavy rainfall forces them to emerge out of the dirt. You might find also find their burrows in places where there’s been a landslip.

They are quite fragile – reckless handling can crush and kill them. Only a particular type of moist soil is suitable for their survival. If you happen to walk over their water-filled burrows, they will respond to the vibration of your footsteps. They start to crawl about and make squelchy noises that are quite easy to hear. So even though the Gippsland Giants are pretty rare, you’ll know when they are around.

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Ben Heine, a 30-year-old Belgian artist, creates amazing life-size 3D sketches. He then takes pictures of himself stepping into his own drawings. So he creates incredible images of his real-life self walking a black-and-white tiger, being held at gunpoint, and staring at a hand-drawn self-portrait.

Ben makes use of a very interesting technique called anamorphosis. It requires the viewer to look at the sketches from a very specific angle, to see the complete effect. From a different perspective, these ‘illusions’ look slightly distorted. “It was very exciting to create these works because I like new challenges and I like to surprise,” Ben said. What’s amazing is that he sketches freehand, in just a single take, using a mixture of charcoal sticks and graphite pencils. The works are re-touched in post-production. It takes him a week to complete each drawing.

The sketches begin as pencil drawings and the shading is added using charcoal sticks. For large dark areas in the composition, Ben uses as many as 15 pencils and three charcoal sticks. “I’m actually using a mix of charcoal sticks for the large shadows and thick dark lines and graphite pencils for the smallest details and soft shadows,” he said. “Both materials are carbon based so they still belong to the same medium.

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Yukiko Morita, a 27-year-old corporate employee from Kyoto, has a unique hobby. She combines her love for bread and her love for art into a special product: Pampshades.“‘Pan (Japanese for bread)’ + ‘lamp shade’ = Pampshades,” Morita explains on her website. These lighting fixtures made from real bread and can light up a room, filling it with the warm tones of a fresh loaf.

“I think loaves are really cute,” says Morita. “I love their round curves. I wanted a bread display in my room so I could admire it all the time. That’s how I came up with this shape.” The idea for pampshades first came to Morita when she was a student at the Kyoto City University of Arts. She was working on a project in a studio one day, playing around with a French baguette. She pulled out and nibbled on the soft parts, leaving the hollow outer shell intact. When she held it up towards the sunlight and let it stream in, that was her ‘aha!’ moment.

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Where most people see useless pieces of junk, Edouard Martinet sees perfect parts for his incredibly detailed metal menagerie. The French artist uses everything from old bicycle chains to cutlery and clock parts to piece together his creation without any soldering.

We first featured Martinet’s work on Oddity Central three years ago, and it appears he’s been keeping busy, creating more of his marvelous metal creatures. Edouard’s artistic process doesn’t involve any welding or soldering. Instead, he chooses to pierce the components and screw them together by hand. As you can imagine, just figuring out how to best attach every piece can take a long time, so it’s not very surprising that the artist can spend anywhere from a month to several years on a single one of his works. But looking at how awesome every one of them looks, I’d say the effort is well worth it.

In order to allow viewers to identify all the different parts that make up his junk sculptures, Edouard Martinet accompanies every one of them with a list of components.

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Sculptor Ra Paulette has a phenomenal hobby – he digs caves in New Mexico’s sandstone cliffs. Not plain, rocky, boring ones. Ra’s caves are smooth, artistic, and breathtakingly beautiful, and he creates them with his bare hands. His only tools – a pickaxe and a wheelbarrow.

67-year-old Ra came into his unusual profession after years of being a drifter. He was a college dropout, was discharged from the U.S. Navy and hitchhiked his way across America. He worked on a series of odd jobs – postal employee, security guard, janitor, and even farmer and one point.

Ra learnt the art of digging in the summer of 1985, when he worked in Dixon as an excavator. He would dig outhouses and build wells, giving him a longing to do something artistic with his hands. One thing led to another and soon, he was digging caves.

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Who said Play-Doh is just for kids? In an amazing display of pointillism, mother-of-three Lacy Knudson puts together over 10,000 Play-Doh dots to create beautiful mosaics.

It all started when Knudson was putting away her kids’ clay one day. She began mushing it into little balls when she realized that these tiny, colorful dots could be put together to create great artwork. And the best part – she could spend time with her children while working.

Knudson has a unique name for her process – Dozayix. It’s a combination of playDOh and moSAICS. And of course, a whole lot of fun. Her first piece was called A New World, for which she used 23 pounds of Play-Doh. She split it all into 10,000 half-inch dots (called ‘dozaic tiles’) and perfectly arranged each dot to build her mosaic.

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A true artist can create outstanding art from almost anything, even ugly, greasy oil. Who would have ever imagined that petroleum could be used to paint breathtaking images? Belarussian artist Ludmila Zhizhenko, that’s who.

Ludmila was a designer at a petroleum company for years before she invented this new technique of painting in 2009. She would use watercolors earlier, but petroleum is now her material of choice. Ludmila’s paintings have are elegant, with an old-world charm. They resemble vintage, yellowed photographs from the last century. Photo artist Sergei Kholodilin says, “This is a synthesis of photography and painting.”

For her paintings, Ludmila uses petroleum produced in the Gomel region. To make one ‘heavy oil’ painting, she needs about 10 grams of the stuff. And there are only two types of petroleum she can make use of. Ludmila lets us in on a few of her trade secrets: “It is important not to stop putting stroke after stroke. Otherwise, if the oil dries out,  it will be very difficult to fix something,” she says. Due to the chemical composition of petroleum, she mostly paints outdoors.

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Who said you need to chop the wood off trees to make sculptures? Tree shaping is an art form that makes use of living trees to make wonderful creations. Also known as Biotecture, Grown Furniture or simply tree sculpting, the technique involves growing and shaping the trunks of trees and other woody plants by grafting or pruning. The trunks or branches are grown into ornamental or useful shapes.

Tree branches and trunks have the unique ability to unite together by grafting. The new shapes are retained when fresh layers of wood grow over the older ones. So a tree sculptor winds two or more parts of a tree together by cutting off the bark and then binds the wounded parts together so that the contact is secure. This promotes the tree parts to grow together. These stems and branches need to be wound together for at least a year depending on the amount of resistance they need to overcome. Additional layers of wood grow during this time, acting as a natural cast and retaining the new desired shape. Once the shape is able to hold itself, the bracing is removed. The techniques used by artists vary between Instant Tree Shaping, also known as Arborsculpture (mature trees bent into the desired shape and held until cast), Aeroponic Culture (the use of living, air-suspended roots to make bridges) and Gradual Tree Shaping (trees are grown from saplings for the specific purpose of creating a design).

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“Daredevil”, “human fish”, “the hero in a speedo” or “the craziest man in the world” – however you’d like to call him, he is the greatest endurance swimmer in the world! Meet the man who swims entire rivers, Martin Strel.

The now 58-year-old Slovenian Martin Strel has broken the Guinness World Record for long distance swimming multiple times. The first was in 2000, when he swam the length of the Danube river, 3004 kilometers (1867 miles), in 58 days. A year later, in 2001, he broke another record by swimming 504 kilometers (313 miles) non-stop, in 84 hours, also on the Danube. In 2002, Strel changed continents and went to North America, where he became the first person to swim the entire length of the Mississippi river (3797 kilometers/ 2360 miles) in 68 days, thus breaking another Guinness World Record. In 2003, he swam the length of the Parana River (1930 kilometers/1200 miles) in South America, in just 24 days. In 2004, Strel became the first person to swim the length of the Yangtze river (4003 kilometers/ 2488 miles), in 51 days. It took him almost 3 years to prepare for the longest and most dangerous river in the world, but in 2007 he succeeded in breaking the record again: he swam the 5268 kilometers (3274 miles) of the Amazon river, in South America, in 66 days. Strel dedicated his most important and most difficult swim to finding a cure for Alzheimer’s and to the preservation of the rainforest.

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