What if combining human and animal DNA wasn’t illegal, nor did it violate moral or ethical codes of conduct? What if technology allowed us to create hybrids between babies and pets that were still biologically bound to their parents but didn’t require a permanent responsibility and commitment? These are the questions Chinese artist Lingxizhu Meng tackles in her latest project, Baby-Pet.

Raising a child involves much more time and responsibility than owning a pet, which is why an increasing number of people are opting for the latter. Parents usually have to put their active lives on the back-burner in order to take care of a baby, but what if they didn’t have to? “The objective of this society’s endeavor is to create a new species that meets various needs. The result being something that is not your child but that is also not your pet. It serves as a combination of the purity that exists in both, the essence of affection one has when caring for a baby and the affection one receives when having a dog,” Lingxizhu describes her unique idea. “The animal human baby pet is a combination of baby and pet. Raising a child incurs significant financial costs, while pets in comparison are far more economical. Such as saving the cost of education, for example. The dogbaby life cycle is very short, similar to that of a dog, often only 11-­15 years of life. This is a circumstance that can enable elderly people to rise a dogba-by in the golden years of their lives. Some couples are not ready to ising a child. The dogbaby provides a link in their partnership without necessitating a permanent responsibility and commitment. Some singles who are occupied by an active social and work life but who have the desire to have a child find the benefit of a dogbaby’s growth process and need of attention levels much simpler to those of a child.”

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Scottish artist Douglas McDougall uses charcoal, sandpaper and scalpel blades to create his amazingly realistic portraits of friends and people he finds interesting.

Douglas McDougall learned how to draw as a child to pass the time while going in and out of hospitals with a blood disease. He spent countless hours in hospital wards trying to draw his surroundings, and the experience fueled his passion for art. In his younger years, the 50-year-old artist used to do a lot of pen and ink illustration work during the night, after coming home from his day job, but eventually settled on charcoal as his medium of choice. “The immediacy of applying that blackness and the way in which it’s sucked into a white ground /paper/ forever excited me with a glorious kick of absoluteness”, the artist says, and after getting his hands on Conté compressed charcoal for the first time and discovering its power there was no going back. Today he uses various kinds of charcoal along with unusual art tools like sandpaper and sharp blades to create some of the most detailed hyper-realistic portraits I have ever seen.

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Kyle Kandilian, a 20-year-old student from Dearborn, Michigan, has a very unusual hobby – he enjoys raising cockroaches as pets. His bedroom walls are decked with boxes and crates which hold around 200,000 roaches he breeds for fun and profit.

Kyle’s passion is probably going to bug a lot of people, seeing as most people tend to freak out if they so much as hear the word “cockroach”. But Kyle is not most people. Ever since he got to see and hold some Madagascar hissing roaches during a tech day exhibit at the University of Detroit Mercy, he has been fascinated with them. He came home that day and asked his mother if he could have one as a pet, but his mother looked him in the eye and said “Kyle? You are never bringing cockroaches into this house.” Today his bedroom is home to around 200,000 cockroaches from 130 varieties, and his parents are very supportive of his passion. Maybe “supportive” is pushing it a little, but Kyle agrees they are “very tolerant of his enthusiasm”. He is aware that cockroaches are usually a taboo topic, but says he has never tried to hide his hobby, instead talking openly and enthusiastically about bug passion in an attempt to change people’s perception of them. He claims only about a dozen of the 4,000 known species of roaches are actually pests, but they manage to give all of them a bad name.

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Justo Gallego Martinez, an 86-year-old farmer from Spain, has spent the last 50 years of his life single-handedly building a large cathedral in a suburb of Madrid, without any architectural knowledge or construction experience.

Considering the sheer size of Justo Gallego’s junk cathedral, almost 40 meters (131 feet) tall, with its large dome and spires towering over nearby apartment buildings, it’s almost impossible to believe it’s the work of a single man. But it just goes to show how far people can stretch their limits in the name of a higher purpose. In Gallego’s case, it was his faith and love of God. His mother was very pious and he grew up with a deep Christian faith and an overwhelming desire to dedicate himself to the Creator. After working as a farmer and as a bullfighter, Don Justo, as everyone calls him, joined a Trappist monastery, where he spent eight years as a monk. He was forced to leave the monastery in 1961, after he contracted tuberculosis, but promised himself that if he survived the illness he would dedicate his life to building a  a chapel in the name of the Lady of The Pillar (the Blessed Virgin Marry), who he prayed to during the ordeal. His prayers were answered and he stayed true to his vow, laying the first brick of what would become a unique cathedral, almost 50 years ago.

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Keisuke Yamada is a self-taught Japanese artist who takes plain bananas and turns them into edible masterpieces. Using only a spoon and toothpicks the talented food artist works against the clock, trying to finish his pieces before the fruit begins to oxidize.

Sculpting bananas is not easy. The fragile texture of the fruit and the fact that you can’t add more material to cover up a mistake like you would with clay makes it a very difficult material to work with. And that’s exactly what makes 26-year-old Keisuke Yamada’s art so special. It all began little over two ears ago when he peeled a banana and thought it would be interesting to carve something into it. His first creation was a simple smiling face, but he received such a positive reaction from art fans that he felt inspired to pursue the idea further. Using only a spoon to prime the banana by smoothing its surface and toothpicks for carving its flesh, Keisuke created an entire series of banana sculptures that won him international acclaim after the photos he uploaded to Japanese art site, Pixiv, went viral. In his interviews with some of the largest sites in the world, Yamada revealed he works as an electrician by day, and becomes an expert banana carver during the night. He described the artistic process as a race against time, trying to finish his creations in less than 30 minutes after the peeled banana has been exposed to air. Taking too long causes the fruit to turn brown ruining the whole piece. Once he’s finished, he quickly takes a photo after which he eats the banana.

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Every year, on the afternoon of the last Sunday in August, brave young men from all over Malta compete in the traditional game of “gostra”, trying to run all the way to the top of a long greasy pole and snatch one of the three prizes.

Dating back to the Middle Ages, the game of gostra was practiced all through the festive summer months, in various locations around the islands of Malta and Gozo. A wooden pole measuring about 10 meters long was mounted on a coal barge and towed to harbor towns and seaside villages around the Maltese coast, where it was smeared with grease and animal fat. Brave local men would try to run up the pole and reach one of the symbolic flags at the top in order to claim a prize. Today, the traditional game is only held in the towns of Msida and Spinola Bay, in honor of St. Joseph and St. Julian. The pole stretches out into the water, and only half of it is covered in grease, but in order to have a higher chance of reaching the flags before slipping off the slippery wood, most competitors prefer to run up the pole, hoping they can maintain their balance long enough to snatch one of the coveted prizes. This sometimes causes them to fall awkwardly hitting the log on their way down into the sea, and injure themselves.

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When he moved from New York to Florida over 40 years ago, Howard Solomon took the saying “A man’s home is his castle” quite literally. The artist once known as “The DaVinci of Debris” spent a total of 12 years building a three-storey castle by hand, in the middle of a swamp.

Solomon began working on his unique castle in the 70’s, after he and his family moved to Ona, Florida. The original plan was to build a nice house on the piece of land he had bought in Hardee County, but after realizing the place was actually a big swamp, he decided to construct something high enough to resist any potential floods. He had always been fascinated with medieval castles and this proved to be the perfect opportunity to build his very own 16-century fortress, complete with a bell tower, moat and drawbridge. Howard worked on his architectural masterpiece on and off ever since 1972, and reckons he has spent over 12 years erecting the structure and covering it in aluminum plating, and an additional 4 years building a Spanish galleon in the castle moat. When he first started building his dream home, people thought he was mad, and wouldn’t even let their kids play with his, but over the last 40 years they’ve accepted him into the community, and Solomon’s Castle is now the most popular attraction in the area.

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Many of Simon Hennessey’s paintings look so lifelike that they are often mistaken for photos. To achieve this level of realism, the English artist spends anywhere from two weeks to seven months on a single piece using an airbrush and acrylic paint.

40-year-old Simon Hennessey started painting landscapes reflected in the sunglasses of tourists in 2008. He had just finished painting a model wearing sunglasses and suddenly realized the reflection on the lenses allowed him to explore the spatial and environmental surroundings in a unique distorted and miniature fashion. From that moment on the popular accessory has become a predominant them in his hyper-realistic art. Simon has spent the last five years traveling to big cities like London and New York, taking photos of iconic landmarks reflected in the lenses of sunglasses worn by human models, which he uses as an inspiration for his art. He doesn’t just copy an entire photograph, but combines elements from multiple reference pictures, adding or removing certain details, altering textures and depth to produce original works of art. This allows him to create an illusion of reality different from that of his photographic sources, making his realistic paintings appear clearer and more distinct than any photo.

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When Knight Rider came out during the 1980s, the nearly indestructible KITT, a heavily modified Pontiac Firebird Trans Am, blew everyone away. Even today, it remains one of the coolest cars ever, and fans spend valuable time and resources building their own real-life KITTs.

One such auto enthusiast from Detroit-area recently showcased his homemade perfect replica of the famous movie car, which he spent about three years working on, in a promotional video for a car insurance company . Chris Palmer says he needed five Pontiac Trans Ams, numerous custom parts and countless hours of work to create his four-wheeled masterpiece. He also had to rely on the generosity of his friends to finance his obsession of owning his own perfect KITT, but in the end “it was totally worth it – more than worth it”. He has been dreaming of sitting behind KITT’s steering wheel ever since he was a little kid, and his obsession stuck with him throughout the years. He has owned 15 or 16 Pontiac Firebird Trans Ams since he started driving, but it wasn’t until a few years ago that he decided to take on the challenge of building a perfect replica of the Knight Industries Two Thousand.

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Architectural wonders erected on the rooftops of skyscrapers seems to be the latest constructions trend in China. Just days after the scandal involving a mountain villa built on the roof of a Beijing apartment building, a microblogger from Shenzen discovered a traditional private temple located atop a similar residential building.

According to several Chinese media reports, the mysterious temple constructed on the roof of a 21-storey luxury apartment building in the Nanfang district of Shenzen has been around for at least three years, yet nobody, not even the tenants know who it belongs to. The rooftop structure is surrounded by foliage, has glazed golden tiles and features traditional upturned eaves decorated with carvings of dragons and phoenixes. A fingerprint scanner, security cameras and dogs barking on the other side of a locked door prevent access to the temple, but neighbors say it’s often used for traditional Chinese religious practices, as indicated by the ashes of burned offerings that float down from the roof. The private temple, suspected to be yet another illegal rooftop structure, jeopardizes the structural integrity of the entire building, but tenants say their complaints have so far landed on dead ears.

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Sprayable Energy is a patent-pending invention that allows people to get all the energy benefits of caffeine without the dreaded coffee aftertaste. The spray is absorbed through the skin and distributed through the body over a period of several hours, giving the user a long-lasting caffeine buzz.

21-year-old Ben Yu and his partner Deven Soni have recently launched a campaign on crowdfunding platform Indiegogo for an innovative product called Sprayable Energy. The small plastic can contains an unscented, colorless formula that gives users that much needed boost of energy without the jitters and sudden caffeine crash. “Coffee didn’t work for me,” Yu told Inc.com. “When I ingest it, it’s like roller coaster ride of energy.” He decided to work on an alternative to the popular beverage in October 2012, while trying to get a degree in biochemistry. He started researching how nicotine patches worked, and like any young inventor, used himself as a test-subject for his experiments. His father, who holds a PhD in chemistry, also helped out, and after a lot of hard work, Ben came up with a special formula containing water, a derivative of the amino acid tyrosine, and caffeine that could be sprayed on the skin and offer the same energy buzz of coffee without the nasty taste and side-effects. Now all they needed was an extra $15,000 to develop the product line.

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Remember those awesome action sequences from the movies like Crouching Tiger Hidden Dragon, where kung fu masters would float through the air, skim on water and do battle through tall bamboo trees? A Chinese resort is now giving martial arts enthusiast the chance to perform these impossible feats themselves with the help of special effects equipment used on the big screen.

A martial arts theme-park in Kunming, China, has invested around $800,000 in high-tech special effects equipment that gives kung fu fans the chance to perform the impossible stunts of their favorite movie icons. From skywalking to skimming on water, anything is possible at the Wild Duck Lake Resort, thanks to a computer-controlled wire system almost identical to the ones used in blockbuster films. This is apparently the first time people outside the movie business get the chance to live their dreams of becoming legendary kung fu masters, even if it’s just for a few minutes. According to a theme-park spokesman, the computer controls how fast and how far visitors travel on the water and through the air, once they are connected to the wires. So all they have to do is strike a nice pose as their friends and family take photos. Fees for the realistic martial arts experience start as low as $15, so if you’ve always fantasized about starring in your own kung fu flick, this is one chance you don’t want to miss.

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For the last 15 years, Georgio T. has been making a name for himself by playing a human carpet. Only it’s not an act, he genuinely enjoys covering himself in carpet and having people walk all over him.

Ever since he was a little boy growing up in Malta, Georgio knew what he wanted to be when he grew up. Some kids dream of becoming doctors or astronauts, but he just wanted to be a carpet. He used to love placing weights on his body and having his pet cats walk over him. When his mother would enter his room and saw him playing his unusual games, she used to tell him “Georgio, you’re going to be in a lot of trouble when you grow up”. But he didn’t let her warnings deter him from fulfilling his dream. These days, 52-year-old Georgio, a.k.a. the Human Carpet is a familiar sight on the New York party scene. He charges a modest fee and accepts tips for inviting revelers to stand and dance on him. His getup is an actual carpet wrapped around his body with a breathing hole cut around his mouth. Although he charges for his services, he claims playing a carpet is not a money-making stunt. He actually enjoys getting stepped on and the more people do it, the better he feels. They can dance or jump on him for hours, without getting a complaint from the Human Carpet. In fact, he says people pay him to have fun.

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Dinh Thong created his first chicken-feather painting right after finishing high-school, over three decades ago. He has dedicated his entire life to the unique art form, but has been unable to advertise his talents properly due to lack of funds.

Born and raised in the ancient city of Hoi An, Vietnamese artisan Dinh Thong has always been fascinated by folk art. He started using chicken feathers as an art medium during his middle school days, to make small souvenirs for his friends. During his mandatory military service, he decided to take his art to a whole new level by using the feathers to create large traditional paintings, and as soon as he returned home Dinh started scouring the local poultry markets for suitable material. At first, sellers let him pick whichever feathers he liked from their chickens, but after word spread that he was using them to create works of art, they assumed he was making a lot of money and began charging him. He was forced to cut his daily expenses so he could afford to buy the unusual art supplies, sometimes leaving his works unfinished for long periods of  time due to lack of feathers. To make matters worse, the bird flu epidemic that swept the planet a few years back kept his creations out of art galleries and forced the talented artisan to promote his works by word of mouth alone.

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50-year-old Asha Zulu Mandela started growing her lovely dreadlocks 25 years ago, after moving from Trinidad Tobago to New York. Today she is known as “the Black Rapunzel” and holds the record for the world’s longest locks, which measure 19 feet, 6 inches long.

Soon after she settled in Brooklyn, New York, Asha Mandela started working as a nanny, spending most of her time in parks and playgrounds. Perming and styling her hair just wasn’t working very well with her hectic schedule, so she decided to go for an easier, more natural alternative. After careful consideration she started growing “locks, which didn’t sit too well with her family, especially her mother, who though it made her head look like “a riff-raff mop”. Not even Asha herself was sure she had made the right decision because her short hair made them look spiky. But as they grew, she fell in love with her new hairdo and even started referring to her hair as “my baby”. The years passed and her dreadlocks grew past floor length, but she didn’t realized how unique her natural hairstyle had become until about 5 years ago when people started complimenting her and asking all kinds of questions, like how long she had been growing the locks for, how long it took to wash and if she was featured in the Guinness Book of Records. That last one sparked her interest, so she reached out to Guinness and Ripley’s to make her record official.

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