In our part of the world, grown-ups are known to build tree houses for their kids, but there exists a parallel culture on this very planet, where the grown-ups themselves live in tree houses. I’m talking about the Korowai tribe of Papua, Indonesia, that has engineered and survived in towering tree homes as high as 114 feet above the ground. The tribe inhabits an inaccessible jungle located 150 km inland from the Arafura Sea, and was completely isolated from the world, until 1974, when they were discovered by a Dutch missionary. The Korowai tribe consists of a small society of traditional family ties, hunter gatherers who have been quite popular with the press for their cannibalistic tendencies.

However, what’s most fascinating about the Korowai people is the way they have designed their homes. There are a few reasons why they live up in the trees – to protect themselves from swarming mosquitoes, evil spirits, and of course, troublesome neighbors. What better way to escape the pesky next-door-neighbor than to hide up in a tree? Ideally, a Korowai tree house is constructed in a clearing, with a large Banyan or Wambom tree serving as the main pole. Once a suitable tree has been located, its top is removed. The floor frame is laid down first, made from branches and covered with sago palm. Walls and a roof are added, bound together with raffia. Additional poles are added to the corners for extra support. The average tree home ranges between 8 to 12 meters above ground level, but some go as high as 35 meters. Each house is sturdy enough to accommodate up to a dozen people.

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It appears that the Chinese have tired of imitating objects, so they’ve now moved on to entire cities. How else could you explain the gated community of Tianducheng, that boasts its very own Eiffel Tower, Arc de Triomphe and European-style villas? Located near Hangzhou, the capital of the coastal Zhejiang province, the community built by real estate company Zhejiang Guangsha Co. Ltd. in 2007 is a housing development meant to attract China’s rich and powerful. The developers apparently wanted to give the wealthy Chinese a chance to enjoy European culture without actually having to travel thousands of miles.  It took five years of meticulous construction and landscaping to create the entire 19 sq. km (12 sq. mile) community.

According to Lu Xiaotian, the company’s director, “The community can house up to 10,000 people comfortably.” Apart from the obvious touristy feel, the community also provides amenities ranging from a school, a country club and a hospital. All this, in the midst of the serene surroundings of a park atmosphere. The real estate group has largely capitalized on the fact that Chinese honeymooners tend to flock to Paris, and also that French designer labels and wine are popular status symbols in major Chinese cities. So the community of Tianducheng gives residents the opportunity to sit on the steps by their very own Bassin de Latone, a cleverly done imitation of the famous fountain located in the gardens of the Palace of Versailles. They can also admire the Eiffel Tower, which is a 108 m high replica of the 324 m original, in their very own neighborhood. Apart from the obvious imitations of famous monuments, there are the Parisienne-style gardens surrounded by rows and rows of European-style villas.

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You would think that handling snakes is an activity limited to the snake-charmers of India. After all, the handling of such venomous creatures is naturally associated with the mystical cultures of the East. But you will be surprised to know that the practice exists in the U.S. as well, and has been present here for the past 100 years. ‘Snake handling’ or ‘Serpent handling’, as it is called, is a religious ritual followed in a small number of Pentecostal churches in the U.S., with origins in 20^th century Appalachia. The belief behind the practice dates back to antiquity, and followers quote the Gospel of Mark and Gospel of Luke for support:

And these signs shall follow them that believe: In my name shall they cast out devils; they shall speak with new tongues. They shall take up serpents; and if they drink any deadly thing, it shall not hurt them; they shall lay hands on the sick, and they shall recover. (Mark 16:17-18)

Behold, I give unto you power to tread on serpents and scorpions, and over all the power of the enemy: and nothing shall by any means hurt you. (Luke 10:19)

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Bulgarian-born designer Margarita Mileva spends around 90 hours painstakingly knotting rubber bands together to create wearable dresses. Her latest creation numbers 18,500 rubber bands.

The first time we featured Margarita Mileva on OC was back in 2011, when she created a stunning pastel dress out of 14,235 pieces of rubbery office supplies. She beat that record by knotting together a 10-kilogram garment from orange and black rubber bands, inspired by the spirit of Polynesia and the tattoos of the Maori. It took 150 hours to complete, and comes with matching rubber band shoes. “I always had an eye for jewelry and love to design clothes, knit and make collages,” 49-year-old Mileva says. “So when I started making jewelry from reusing paperclips, punched business cards and rubber bands, it didn’t come as a surprise to anyone. Rubber band dresses were the next step – I am trying to create unique pieces that I would like to be seen as conversation openers.”

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There’s a new way to beat your addiction, but it hurts, a lot. Psychologists at a Siberian drug clinic are using corporal punishment to help drug, alcohol and even sex addicts get their lives back. The bizarre treatment involves lashing patients’ buttocks with sticks and canes.

“We cane the patients on the buttocks with a clear and definite medical purpose – it is not some warped sado-masochistic activity,” Professor Marina Chukhrova told The Siberian Times. Apparently, there are some sound scientific principles behind these beatings. Chukhrova and fellow practitioner Dr German Pilipenko claim addicts suffer from a lack of endorphins, known as the “happiness hormones”, and the excruciating pain stimulates their brains to release endorphins into the body, making them feel better about themselves without having to use any other stimulants. “The caning counteracts a lack of enthusiasm for life which is often behind addictions, suicidal tendencies and psychosomatic disorders,” Pilipenko says. He admits their technique gets a lot of skepticism from fellow doctors, but insists the pain acts as an injection against stress. Read More »

If you think doodling is just child’s play, you definitely haven’t seen Sagaki Keita’s works yet. This amazing Japanese artist can recreate virtually anything from classic statues and paintings to famous landmarks using thousands of tiny doodles.

We first discovered Sagaki Keita’s talent two years ago, when he took the art world by storm with his doodle recreations of famous masterpieces like the Mona Lisa, and now we’re featuring his work for the third time. The Tokyo-based artist has recently created a series of international landmark drawings, which when seen from a far seem to be really god pen drawings. But a closer inspection reveals countless entertaining characters doodled on to the canvas. It obviously takes mountains of patience to fill every inch of the white canvas with goofy drawings, and even to create well-placed shadows, but the final result is nothing short of awe-inspiring. His latest works include doodle recreations of the Statue of Liberty, the Eiffel Tower, Tower Bridge, Saint Basil’s Cathedral, and The Great Wave, by Hokusai.

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I’m a big fan of white chocolate, but not even the strongest sweets craving couldn’t make me take a bite out of Annabel de Vetten’s creepy baby heads. They’re way too scary for me, but according to the English food artist they’re quite a hit at parties and baby showers.

The disturbing white chocolate artworks were originally designed as a private commission, but apparently they came out so good that Annabel decided to make several more. Then, her works were discovered by strange cake curator Miss Cakehead, who also brought the infamous STD Cupcakes to our attention, and now the eerily realistic newborn baby heads are a popular chocolate treat. “I just pictured ‘dead, milky eyes and skin’ and hit the nail on the so to speak. And creased the mold while it was setting to get a soft, ‘damaged’ effect. So, strangely enough, no challenge! I was a little worried some might think this is going a bit too far. But it’s only chocolate and if someone doesn’t like the shape it’s in, they can just go buy a Mars bar,” de Vetten told HuffPost.

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If you look at the structure located at 1 Anderson Street, Seal Beach, California, you can see nothing but an ordinary water tower. But after a closer inspection you’ll realize it’s not filled with water, but common household items. It was several years ago, when the 100-year-old 9-storeys-tall water tower with a capacity of 75,000 gallons had outlived its purpose and was going to be torn down that a few local architects began taking interest in the structure. The tower was originally used to service steam engines traveling on the California coast. After the trains stopped running, the water tower was rendered useless. It was in danger of being demolished in the 1980s, when the architects stepped in, got permits and converted the tower into a beautiful home.

The process of converting a century-old structure into a home was no easy feat. First, the original water tank had to be removed and placed in a parking lot. After 18 months of renovation, a skilled team of engineers worked together to lift it up and put it back in its original place. A commercial elevator and two jacuzzis were added as the final touches to the 3000 sq ft. house. One of the jacuzzi tubs is actually on the upper deck and provides a view of the ocean. Almost every window in the house is fitted with stained glass. There are also two master bedrooms, a maid’s quarters, and four bathrooms. One of the bathrooms has rotating walls, so you could enter in the bedroom and come out from the hallway. The entertainment room has a 360 degree view, a built-in movie theatre, electric blinds and an indoor fire pit. From one direction you get to see the Pacific Ocean and the Catalina Island, and from another you get a view of the Newport Beach, Long Beach, Port of Los Angeles, San Pedro and San Bernardino Mountains. On a clear day, you can even get a glimpse of Los Angeles.

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Most people cannot stand the thought of their partners even talking to their exes, let alone socializing with them. But things are different in a small community of Vietnam. A yearly ‘love market’ of sorts is held in the hillside village of Khau Vai, 500km north of Hanoi, near the border with China. It takes place each year, on the 26^th and the 27^th of the third month of the lunar calendar. During these two days, hundreds of ex-lovers from various hill tribes like Nung, Tay, San Chi, Lo Lo, Dzao, Giay and Hmong are reunited. They trek in from various mountainous districts nearby to be able to spend two days with the ones they could not spend their lives with.

This concept might sound extremely unusual to us, and there might be every possibility of a cat-fight breaking out if this unique love festival was held anywhere else in the world. But the people of Khau Vai have a strong reason for the celebrating their love market. It has been a part of their tradition for centuries, originating from a local legend. The story is rather sad – an ethnic Giay girl from Ha Giang had fallen for a Nung boy from Cao Bang., but she is said to have been so beautiful that her tribe did not want her to marry a man from another community. What followed was a bloody war between the two tribes. As the lovers witnessed the tragedy that surrounded their lives, they decided to part ways in the greater interest of peace. But their love did not die there. A secret pact was made between the lovers to meet each other once a year in Khau Vai– on the 27^th day of the third Lunar month. The tradition is still being carried on today. On the designated days of the festival, local artists decked up in colorful clothes reenact this tale of forbidden love.

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We’ve heard countless stories of women who go through procedure after procedure in an attempt to improve their looks, but when I first read about Orlan, a French performance artist, I was shocked. She has also undergone several surgical alterations to her face, but for a different reason – to challenge the standards of beauty that society has set for women. She makes use of plastic surgery as a part of her art, to transform her face and body in such a way that it questions traditional perceptions of beauty.

Orlan has done things to herself as bizarre as reshaping her face to resemble Zimbabwe’s Ndebele giraffe women. The whole purpose of her art, she says, is ‘to shock’. “The whole point is to be against the idea of social pressure put on a woman’s body,” Orlan is reported to have said. Her present day career is inspired from an incident that occurred in her life, way back in 1978. She was preparing to speak at a symposium one day, when she was rushed to the hospital for an emergency surgery. “I almost died because I had an ectopic pregnancy,” she said. “They had to operate to save my life and remove what they told me was a non-viable fetus.” What was most unusual about this incident was the way Orlan chose to handle it. In what can only be called the beginnings of reality television, she took a camera crew along with her to film the operation as it happened. She also insisted that she remain conscious throughout the procedure. “I wasn’t in pain and what was happening to my body was of profound interest to me. Pain is an anachronism. I have great confidence in morphine.”

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What would you call a man who has managed to cheat death seven times, and also win the lottery? ‘World’s luckiest man’, might just be an understatement. But that’s exactly the story of Frano Selak, an 81-year-old music teacher from Croatia.

At first glance, there’s nothing noticeably special about Selak. He looks pretty much like your average, everyday octogenarian. But the life this man has lived is quite extraordinary. He survived one plane crash, several train and car wrecks and other disasters such as falling out of a plane through a door that was blown open, only to land on a haystack. Obviously lady luck’s favorite son, the icing on Selak’s record came when he won a £600,000 (almost $1 million) lottery about 7 years ago, on the occasion of his fifth marriage. Until recently, he owned a luxury home on a private island and a vast fortune. But Selak realized that “money cannot buy happiness,” so he sold his home, gave away his fortune to family and friends and moved back to his old home – a modest dwelling in Petrinja, south of Zagreb, right in the middle of Croatia. The only bit of winnings that he kept for himself was to pay for a hip replacement operation and to build a shrine to the Virgin Mary as a way of thanks for his luck. He now enjoys his life with his wife in his humble home.

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We’ve seen our share of bizarre theme parks here on OC. Ranging from Hello Kitty to Atomic Reactors, we thought we’d seen it all. Until we heard of this extremely strange and slightly disturbing theme park in South Korea, based on the last place in the world you’d want to be stuck in – the toilet.

The Restroom Cultural Park,  in the city of Suwon, South Korea, is a massive complex dedicated to the humble toilet. The main exhibition hall itself is shaped like a large toilet bowl and the pathway leading up to it is adorned with bronze figures of humans in mid-squat. The facility was opened to public earlier this year and is the only one of its kind in the world. Other indoor exhibits include WC signs from around the world and toilet-themed art. What’s even more interesting than the toilet theme park is the story of its origin. Apparently, the place was initially home to the former Mayor of Suwon, Sim Jae-duck. He died in 2009, but that has not stopped the South Koreans from still regarding him as their very own ‘Mr. Toilet’. This was partly due to the fact that he ran a successful campaign in the 1980s to dramatically improve South Korea’s old toilet system, and also because Mr. Sim was born in his grandmother’s loo. So inspired was he by his place of birth that he built his own house in the shape of a toilet. He, in turn, is said to be the main inspiration behind the theme park.

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What weighs 7,500 pounds, is 29-foot long and made completely from junk scraps? Why, a limousine of course. ‘Finnijet’ belongs to Antti Rahko, a 72-year-old chauffeur from Finland. He immigrated to the US in 1984 and is now a resident of Palm Beach, Florida. It took Rahko 10 whole years to build the limousine from scratch, initially using two Mercedes Benz station wagons joined together, several parts from a 1962 Chrysler Imperial and various components from other vehicles.

The vehicle’s humble beginnings are hardly visible today, but Rakho says the process of building it was never really complete. He just kept adding parts however and whenever he could. “I had my own car shop, I bought and rented cars.” Eventually, he thought if he succeeded in welding two cars together, he would not need to sell more than one car. That’s how the idea for the Finnijet was born. The car is so well appreciated that it won a prize at the Art Car Parade competition in Houston, twice. Earlier this year, it was taken to Europe for the first time, to be shown at the Essen Motor Show. Packed in a 12m long container, the organizers paid all the costs of transportation and even took out a million dollar insurance policy on the car.

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It’s fascinating how bizarre the rituals of the dead can get. The latest we’ve discovered is from Pomuch, Campeche, a small Mayan town in Mexico. In Campeche, the day of the dead, which is not unlike Spring Cleaning, is honored each year. On this particular day, families visit the cemetery to participate in the ritual cleaning of the bones of their loved ones. The squeaky-clean remains are then placed on display along with flowers and a new cloth for veneration.

The custom applies to anybody who dies in Campeche, ranging from young to old. Every corpse is buried for three years and then, on the Day of the Dead, the bones are dug up, cleaned and transferred to a wooden crate. The waiting period of 3 years is important because the bones need that time to dry out. The wooden crate is placed on permanent display in the cemetery. From then on, people go to the cemetery to pay their respects and clean the remains every year. Nov 1^st is the day dedicated to dead children, known as the Dia de los Niños (Day of the Innocents), and Nov 2^nd is for everyone else. The custom of cleaning the remains of dead relatives is said to date all the way back to Mayan practices – when the skulls of ancestors were retained and worshipped. The significance behind the ritual is to help people deal with the pain of losing a loved one. It is also believed to keep families together. The most important belief, however, is that a relative whose remains are poorly taken care of can become angry and wander through the streets. Read More »

Now here’s a house that all you LOTR fans out there wouldn’t mind spending a few nights in. Or maybe, the rest of your lives. If you’ve been an admirer of the hobbits who inhabited Middle Earth in J.R.R. Tolkien’s fantasy world, this house is something you’ve got to see. The 600 sq.ft. dwelling was built by architect Peter Archer for his clients – a Chester County couple with grown kids. Lifelong fans of J.R.R. Tolkien, they wanted the house as a worthy shrine for the rare books and Tolkien-inspired memorabilia collected over a period of 30 years of travel in the U.S. and abroad. The stone cottage is tucked away into the Pennsylvania countryside, a picturesque location befitting the hobbit-style house.

Before he took up the project, Archer wasn’t too well versed with the nature of Tolkien’s works, but he caught on rather quickly. “Upon starting the project I read the book The Hobbit and watched the Lord of the Rings movies, but more importantly, looked at the range of writings by Tolkien, including amazing sketches he had done to illustrate his work,” Archer says. “I remember at the start saying that we would be happy to design the structure but we were not going to do a Hollywood interpretation. We wanted it to be timeless. It was built in 2004 but looking at it, you could think it was from 1904 or 1604.” Working closely with another Pennsylvania architect Mark Avellino, he was able to “interpret Tolkien and create the beautiful details that make this such a special building.” He also credits the host of builders and landscape artists who put in every effort possible into the making of what has come to be known as the ‘Hobbit House’.

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