Demolishing sand castles can be great fun. But what if you had spent weeks creating it painstakingly, only to have it destroyed at the end? Heart breaking, isn’t it? But for the monks of Tibet who create exquisite sand paintings, dismantling their work is the only way. This is said to signify the impermanence of life.

Sand Mandala, the art of creating intricate artworks using colored sand, is practiced by Tibetan monks as a part of tantric tradition. In the Tibetan language, the art is called dul-tson-kyil-khor (mandala of colored powders). As a part of the sand mandala, millions of sand grains are laid painstakingly into place on a flat platform. Several monks work on a single piece, which can take days or weeks to complete. The word Mandala means ‘circle’ in Sanskrit and is said to represent the cosmogram of a Buddha or bodhisattva. This could be the monk’s own, or of the one he wishes to appease. The art includes geometric figures and several Buddhist spiritual symbols. A sand-painted mandala is used as a tool for blessing the earth and its inhabitants. It also provides the monk who practices the art a visual representation of the enlightened mind of the Buddha.

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From everyday groceries to household appliances and rare souvenirs, artist Kate Bingaman-Burt, from Portland, Oregon, keeps track of everything she buys by making silly drawings of something she purchases every day. She started this habit six years ago and has since then published two volumes of a book on the topic, called Obsessive Consumption – What Did You Buy Today?

Kate Bingaman-Burt is an Assistant Professor of Graphic Design at Portland State University, but she’s also interested in modern consumerism. In 2002, she started documenting her shopping by photographing everything she purchased, and continued doing so every day until 2004. Then, she decided to combine her artistic talents with her interest in everyday consumption by replacing the photos with drawings she did herself. For the last six years, she has been making drawings of at least an item she buys every single day. The six years of the project have been compressed in two volumes of a book entitled Obsessive Consumption – What Did You Buy Today? published by Princeton Architectural Press, but can also be viewed online, on Kate’s official website.

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Vadim Zaritsky, a former police officer turned artist and entomologist uses a very strange medium for his artworks – butterfly wings. The subjects of his unique paintings range from landscapes and still life to portraits of political figures and famous artists.

I know it sounds cruel, but before you label Vadim Zaritsky’s art as a crime against nature, you should know he only uses the wings of dead butterflies that died en masse he finds on the paths and roads around his home city of Lipetsk, 438 kilometers southeast of Moscow, and dead specimens donated by fellow butterfly collectors. “Butterfly collectors know that some wings are considered – collectors call it trash,” Zaritsky says. “If the wings are damaged, if they have partially faded, specialists would usually put them aside. It’s a shame to throw them away but you cannot use them either. In time, the bits may become infested with pests and you have to throw everything away anyway.” One day it occurred to him that these pieces could be recycled into art instead of simply throwing them away. So he began using these discarded wings as a medium for his art, and in the last five years he has created over 100 works of art of varying size and theme. The Russian entomologist takes between a week and several months to complete a single butterfly wing painting.

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Bulgarian-born designer Margarita Mileva spends around 90 hours painstakingly knotting rubber bands together to create wearable dresses. Her latest creation numbers 18,500 rubber bands.

The first time we featured Margarita Mileva on OC was back in 2011, when she created a stunning pastel dress out of 14,235 pieces of rubbery office supplies. She beat that record by knotting together a 10-kilogram garment from orange and black rubber bands, inspired by the spirit of Polynesia and the tattoos of the Maori. It took 150 hours to complete, and comes with matching rubber band shoes. “I always had an eye for jewelry and love to design clothes, knit and make collages,” 49-year-old Mileva says. “So when I started making jewelry from reusing paperclips, punched business cards and rubber bands, it didn’t come as a surprise to anyone. Rubber band dresses were the next step – I am trying to create unique pieces that I would like to be seen as conversation openers.”

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If you think doodling is just child’s play, you definitely haven’t seen Sagaki Keita’s works yet. This amazing Japanese artist can recreate virtually anything from classic statues and paintings to famous landmarks using thousands of tiny doodles.

We first discovered Sagaki Keita’s talent two years ago, when he took the art world by storm with his doodle recreations of famous masterpieces like the Mona Lisa, and now we’re featuring his work for the third time. The Tokyo-based artist has recently created a series of international landmark drawings, which when seen from a far seem to be really god pen drawings. But a closer inspection reveals countless entertaining characters doodled on to the canvas. It obviously takes mountains of patience to fill every inch of the white canvas with goofy drawings, and even to create well-placed shadows, but the final result is nothing short of awe-inspiring. His latest works include doodle recreations of the Statue of Liberty, the Eiffel Tower, Tower Bridge, Saint Basil’s Cathedral, and The Great Wave, by Hokusai.

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We’ve heard countless stories of women who go through procedure after procedure in an attempt to improve their looks, but when I first read about Orlan, a French performance artist, I was shocked. She has also undergone several surgical alterations to her face, but for a different reason – to challenge the standards of beauty that society has set for women. She makes use of plastic surgery as a part of her art, to transform her face and body in such a way that it questions traditional perceptions of beauty.

Orlan has done things to herself as bizarre as reshaping her face to resemble Zimbabwe’s Ndebele giraffe women. The whole purpose of her art, she says, is ‘to shock’. “The whole point is to be against the idea of social pressure put on a woman’s body,” Orlan is reported to have said. Her present day career is inspired from an incident that occurred in her life, way back in 1978. She was preparing to speak at a symposium one day, when she was rushed to the hospital for an emergency surgery. “I almost died because I had an ectopic pregnancy,” she said. “They had to operate to save my life and remove what they told me was a non-viable fetus.” What was most unusual about this incident was the way Orlan chose to handle it. In what can only be called the beginnings of reality television, she took a camera crew along with her to film the operation as it happened. She also insisted that she remain conscious throughout the procedure. “I wasn’t in pain and what was happening to my body was of profound interest to me. Pain is an anachronism. I have great confidence in morphine.”

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If you like unique art mediums, you’re going to love Corey Corcoran’s work. The Boston-based artist uses mushrooms as canvases for his original illustrations.

Creating really good illustrations is hard enough on paper, but on the surface of Ganoderma applanatum (also known as Artist Conk mushroom) is even harder. You can erase a mistake on a piece of paper, but once something is etched into the skin of the mushroom, it can’t be undone. But that doesn’t seem to bother Corey Corcoran, on the contrary, it’s probably one of the things that attracted him to this weird choice for a canvas. He has to be very precise when engraving the fruits of his imagination into the mushroom, using the changing shades of brown to create truly unique works of natural art. The size of his works ranges from six inches to two feet, depending on the mushroom canvas, and the theme mostly revolves around plant life, insects, and people.

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If you thought the world of ballet dancing was reserved exclusively for the slim and petit, well, it’s time to think again. Because the Cuban dance troupe ‘DanzaVoluminosa’ (literally meaning Voluminous Dance) is here to prove you wrong. Comprising of eight dancers and a combined total weight of over 1,600lbs (more than 200lbs per dancer), these heavy beauties have taken the tutu way past its traditional size ‘zero’.

In a recent video report on DanzaVoluminosa by the Associated Press, the founder of the troupe Juan Miguel Mas explains, “The most important thing is that it elevates the self-esteem of the overweight. It helps them to not be sedentary and get out and move, live, work, investigate and love their bodies, too.” Juan says that the purpose of the dance troupe is to find harmony, and the fulfillment of being human. The group was founded way back in 1996 and had been a hit in Cuba ever since. In 2004, it was the subject of a documentary film called Defying Gravity. Hailing from Cuba’s capital city of Havana, the group is focused on breaking traditional stereotypes and giving overweight performers a chance to realize their dreams. The dance troupe is the brainchild of Juan Miguel, who wanted to find a way to adapt modern dance techniques to suit the physical possibilities of overweight people. It has so far produced three full-length choreographies and thirty shorter works. The latest offering from DanzaVoluminosa is called ‘Crisalidas’ or ‘Chrysalis’.

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Gummy bears are a favorite treat for millions of people, young and old, but for German artist Johannes Cordes they are a muse, an art medium and his trademark. Cordes uses thousands of delicious gummy bears to create colorful works of art.

Johannes Cordes, from Meppen, Germany, somehow resists the temptation to stuff his face with the thousands of gummy bears in his studio and instead uses them to create unique works of art, including portraits and recreations of famous paintings. The idea of using the gelatinous medium came to Cordes by accident. A few years back, he was building  a custom painting for a friend in his Nuremberg studio, but when he was done, it turned out the frame was too big for the artwork. He was disappointed, but when he spotted an open bag of gummy bears next to the now-seemingly useless frame he realized all the colorful treats would make a nice composition. So he started piecing together an image from the differently-colored sweets on a canvas, and put in on display in the window of his workshop. It was supposed to be a gag to amuse passers-by, but after a few days that “joke” was sold, and JohannesCordes had found a unique art medium…

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Chadwick Gray and Laura Spector have found an ingenious way to combine their passion for 19th century art with modern body-painting. The artistic duo recreate classic paintings from museums around the world on to Chadwick’s body, in a special art collection aptly named “Museum Anatomy“.

We’ve featured some pretty impressive example of body-painting in the past, but nothing like what Chadwick Gray and Laura Spector create. The two artists from Austin, Texas, contact museums across the world, asking for permission to access and photograph their 19th century paintings. According to Peta Pixel, they’re always looking specifically for works that haven’t been exhibited in the last 50 years (if ever). After they’ve found a painting they would like to recreate, they either take a photo of it, or ask the museum to send them a professional documentation. Then the real work begins – repainting the artwork on Chadwick’s body. They start by projecting an image of it on to his body, while he tries different positions until they find the perfect pose. Once that’s done with, Laura spends between 8-15 hours in one sitting trying to reproduce every detail, using special-effects makeup. But the painstaking process yields some mind-blowing results.

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Argentinian artist Bernardo Cassasola has spent a large part of his life building ship models exclusively out of matchsticks. Now, he’s the proud owner of an entire fleet of incredibly detailed wooden vessels.

“It’s related to life. When I want to be somewhere I just sit down and I can fix my gaze on what I do. I feel wonderful sensations. I can be anywhere in the world because I’m just working with matchsticks,” Bernardo Cassasola once said, in an interview with Reuters. The 63-year-old artist from Argentina has been creating matchstick models since the age of 13, and as the years past, his creations became larger and more detailed. His impressive collection numbers millions of matchsticks, and includes musical instruments like guitars, banjos and violins, architectural models and impressive ship replicas. Throughout his life, Cassasola created a number of extremely accurate matchstick galleons, but his most noteworthy masterpiece is, without a doubt, the 10 feet six inches (3.2 m) war ship he worked on for 7 and a half years. This painstaking labor of love features stunning details like a tiny wooden helm, a scope, down to the handles of the ship’s doors. The multi-decked galleon was unveiled in 2008, when Bernardo Cassasola also announced his next challenge – a 10-meter-long replica of the Titanic made from matchsticks. This guy should definitely meet Wayne Kusy, the man who builds ships with toothpicks, I’m sure they’d have a ball.

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The portrait below was painstakingly done by hand, in 138 hours, using a technique called stippling, which required the artist, Miguel Endara to “draw” it with around 2.1 million ink dots. As amazing as that may be, it’s the story behind this incredible work of art that’s really mind-blowing.

The man whose face Endara recreated with millions of dots is Benjaman Kyle. You probably don’t know who he is, and believe it or not, neither does he. Back in 2004, he was left unconscious behind a dumpster at a restaurant in Richmond Hill, Georgia. He had no belongings, no ID, suffered from severe sunburns and was almost blind from cataracts. The hospital he was taken to already had a Jon Doe, so they named him Benjaman Kyle, using the initials of the fast-food restaurant where he was found. Benjaman had no idea who he was, and didn’t really remember anything about his life before the incident. After months of medical evaluation, he was diagnosed with retrograde amnesia. Authorities coudn’t find out who he really was, so Benjaman Kyle became the only missing person in America whose whereabouts were actually known. Worse still, without a social security number and a valid ID, his life was about to become even more complicated.

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Liverpool-based artist Carne Griffiths creates magical artworks by combining traditional mediums like ink with drinks like tea, vodka, brandy, whiskey and other alcohols.

39-year-old Carne Griffiths relies on drinks to make his art stand out. He isn’t the only artist to find his inspiration in drink, famous masters like Vincent Van Gogh and Salvador Dali enjoyed a glass of alcohol to release their creative talents, but Mr. Griffiths has a very different approach – he uses them as paint. “I have drawn with fountain pen for many years, often with plain water washes. When I decided to leave my post of creative director at an embroidery firm to pursue a love of drawing I experimented with liquids such as brandy,” Carne said in an interview about his medium choices. “I liked the effect this had on the inks I was using but decided that an alternative that wasn’t such a wasteful crime would be a better option so I started experimenting with different types of tea.” Using a combination of ink and tea allows the English artist to create repeating layers which he then partly washes out with various types of tea, and making new drawings out of what appears beneath.

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Israel-based artist Nirit Levav has found a way to create beautiful art an recycle metal, at the same time. She uses discarded bicycle chains to create realistic sculptures of man’s best friend.

Nirit Levav Packer graduated from the Parsons School of Design, in New York City, with a degree in fashion design. She built a career for herself, specializing in bridal gowns, but after years of working in the fashion industry, Nirit realized she couldn’t satisfied her artistic urge to create solely as a designer. so she started broadening her education by studying iron sculpting, pottery, jewelry and ceramics. Although her newly acquired skills helped develop as an artist, it was at her father’s theater sets workshops that she most of her training, including welding, metal cutting and experimenting with various materials and substances. The time spent in her father’s workshop also inspired her love for recycling, as nothing was ever thrown away there and everything could be used to create something new.

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Damien Hirst is known as one of the most controversial artists of our time, and his latest work only adds to his reputation. Capaneus, part of the ‘entomology‘ series that hirst has been working on since 2009, features hundreds of insect species placed in intricate geometric shapes and fixed in place with household gloss paint.

Considering many people find insects, spiders and scorpions disgusting or even frightening, it’s fair to say Capaneus is not an artwork for the faint of heart. However, considering Hirts’s past “masterpieces” include a diamond-encrusted baby skull, and an installation where maggots hatched, developed into flies and feasted on a severed cow’s head in a glass box, I’d have to say his latest creation is one of the least controversial. According to the English artist’s website, “this work’s title derives from Dante’s ‘Inferno’ which recounts how the warrior king Capaneus is struck down with lightening and thunder bolts by the angered deities whom he has held in contempt. Dante’s account originates from the Latin epic poem ‘Thebaid’ in which it is described how, body and helmet aflame, Capaneus falls from the walls to the ground below where he lies outstretched, ‘his lifeless body as immense as that of a giant.” Like the rest of the artworks in the “entomology” series, Capaneus alludes to Hirst’s long time interest in the nineteenth century fascination with natural history and the irony involved in having to kill something in order to look at it.

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