Earlier this year, we posted about Bacha Posh, the little cross-dressing girls of Afghanistan who spend their childhood dressing and living as boys. But there are places in this world where women swap genders for an entire lifetime. Albania is one such place, where sworn virgins exist in accordance with their familial code of ethics called Kanun, of Leke Dukagjini.

According to the non-religious Kanun tradition, families in some parts of Albania must be both patrilineal and patrilocal. This means the family wealth is always inherited by the men, and a woman moves into her husband’s home after marriage. Marriages are arranged at a very young age, if not at birth, and once deemed eligible to marry, the woman must become a part of her husband’s family. The role of a woman is severely circumscribed, reduced to taking care of the children and maintaining a home. A woman’s life is considered to be worth only half of that of a man. For the followers of the Kanun tradition, dress is an important marker to distinguish between genders. The men wear trousers, close-fitting caps and wrist watches, while women are dressed in skirts, headscarves, aprons and sometimes even veils. That actually doesn’t sound too odd, does it? But here’s the twist – a woman can choose to become a man in a Kanun society, by simply dressing like one. So an Albanian woman who dresses like a man, is a man. A change in dress is all that’s needed for a change in gender. Born out of a social necessity, women who become men in Albania are called Virgjinesha (the sworn virgins).

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Among a host of first world problems is the mysterious Paris Syndrome – that horrible feeling you get when you realize the beautiful City of Lights isn’t all that you imagined it to be. And strangely, the worst to be affected by this bizarre condistion are the otherwise calm and collected Japanese.

As ridiculous as it sounds, Paris Syndrome is very real. Because of the way the city is represented in the media, especially the Japanese media, a lot of people labor under the misconception that Paris is a quaint, friendly little place with affluence reeking in its every corner. The women are imagined to be dainty and beautiful, the city is expected to smell like Chanel No. 5, parks filled with pigeons and waiters bursting into song at the drop of a hat. In fact, many Japanese really believe that Parisians are all thin, gorgeous and unbelievably rich. Inevitably, their bubble is burst on their very first day in the city.

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If you thought the world of ballet dancing was reserved exclusively for the slim and petit, well, it’s time to think again. Because the Cuban dance troupe ‘DanzaVoluminosa’ (literally meaning Voluminous Dance) is here to prove you wrong. Comprising of eight dancers and a combined total weight of over 1,600lbs (more than 200lbs per dancer), these heavy beauties have taken the tutu way past its traditional size ‘zero’.

In a recent video report on DanzaVoluminosa by the Associated Press, the founder of the troupe Juan Miguel Mas explains, “The most important thing is that it elevates the self-esteem of the overweight. It helps them to not be sedentary and get out and move, live, work, investigate and love their bodies, too.” Juan says that the purpose of the dance troupe is to find harmony, and the fulfillment of being human. The group was founded way back in 1996 and had been a hit in Cuba ever since. In 2004, it was the subject of a documentary film called Defying Gravity. Hailing from Cuba’s capital city of Havana, the group is focused on breaking traditional stereotypes and giving overweight performers a chance to realize their dreams. The dance troupe is the brainchild of Juan Miguel, who wanted to find a way to adapt modern dance techniques to suit the physical possibilities of overweight people. It has so far produced three full-length choreographies and thirty shorter works. The latest offering from DanzaVoluminosa is called ‘Crisalidas’ or ‘Chrysalis’.

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Inspired by Noah’s Ark from the Book of Genesis, Dutch artist Johan Huibers built a modern day replica spending a whopping $1.2 million on it. His reasons for building the vessel  – he feared the effects global warming would someday have on his country, flooding included. The idea came to him in 1992, when he had a dream about his native land submerged in a flood similar to the one in the Book of Genesis. He continued to think about it until he finally did something about it. And the result is a 130m long, 29m wide, 23m high ark that he completed in 2005. Weighing almost 3000 tons and built from Swedish pine reinforced with steel, it is quite hard to believe that ark might be seaworthy at all, but this modern-day Noah assures us it does indeed float.

A carpenter by profession, Johan Huibers has now opened his full scale ark to the public and is attracting thousands of tourists from the world over. Located in Dordrecht, the Netherlands, the ark is something that would even surprise Noah, for it has a restaurant, two cinemas and of course, a menagerie of life-sized plastic animals. Towering over the flat Dutch landscape, the ark is easily visible from a nearby highway. Across the arks main hold is a huge space of stalls, where visitors can view a large collection of stuffed and plastic animals like zebras, gorillas, lions, tigers, bears and buffaloes. There’s also a petting zoo, where less dangerous real-life animals like dogs, sheep, rabbits, ponies and a few exotic birds are housed . On each level of the boat, around its edges, are displays about the history and dress of the ancient Middle East, a few scenes from the life of Noah, and games for kids like water pumps and levers that lift bales of hay. But the ark is not just about tourist attractions. Down below, there exists a honeycomb system of hatches, each opening an area where food could be sealed in for long-term storage. The curvature of the upper deck could be used to collect rainwater and also to let the horses and other animals get some exercise. Huibers says that his boat gives people a pretty good idea of how Noah’s ark would have worked in practice.

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Britain’s most luxurious tree house belongs to builder Chris Whalley. The incredible abode that he unveiled just last week took him over seven months and £60,000 ($98,000) to build. Located in Blean, Kent, Whalley’s tree house is made almost entirely out of driftwood that he gathered from a nearby beach and is meant to be his holiday home. What’s most unique about the house itself is that it comes with all the comforts a five-star hotel has to offer, including plumbing, electricity and even a rustic décor that goes very well with the natural surroundings.

I must say that I’ve fallen in love with this quaint little house, just looking at the pictures of the interiors. There’s something so charming about the place that it reminds me of the Beatrix Potter books I read as a child; of course, with some modern conveniences as well. The beds are covered with the finest Egyptian cotton linen, and the bathrobes and towels are from Waters and Noble. The kitchen crockery is also top of the range. Some of the pieces of luxury furniture in the house are well worth over £1,500. Everything inside the house is one-of-a-kind, including the concrete-wood effect kitchen worktop and the tree trunk sink. As if all this wasn’t good enough, Whalley’s house even comes with an elevated hot tub, for the ultimate experience in luxury. The entire construction rests 20ft above the ground on a 25 ft red cedar tree, making it not only the most deluxe habitable tree house in England, but also the highest. It is located among other holiday log cabins that Whalley built six years ago. Naturally, the view from the house is brilliant.

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A 55-year-old Chinese farmer has come up with a unique invention that might just make him a millionaire. This isn’t the first time we’ve seen vehicles that run on alternative fuel sources, but Tang Zhengping’s invention is really something else. The car he built in three months is 1m high,  3m long and powered by wind. But the best part is this – it has the potential to reach a speed of 90mph (140kmph). This does seem too good to be true for a wind-powered vehicle, but Mr.Zhengping from Beijing, the city that hosts the largest car show in the world, has a different story to tell.

According to Mr.Zhengping, the vehicle runs on electric generators and batteries, which are recharged by the large fan spinning in the front of the vehicle. The two solar energy wings at the back also support the generation of electricity. While one set of generators and batteries are working, another two get charged. For now, the batteries need to be charged every two days and the fan and wings provide extra electricity when the car is in motion. “It goes at a maximum speed of 140kmph and lasts longer than an electric car, which usually doesn’t have generators,” says Mr.Zhengping.

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The Philippines is home to a variety of Christmas traditions, but particularly famous is the Giant Lantern Festival of San Fernando, the capital of the province of Pampanga, a 1.5 hour ride from Manila. Locally, the festival is known as the Ligligan Parul. It showcases the most popular product of Pampanga – the ‘parol’, or lighted stars. The artisans of Pampanga are renowned for their ability to create the biggest and most elaborate parol in the country. Each year, the best parol makers of the region show off their creations at the Giant Lantern Festival, vying for the title of ‘winning parol’ and lighting up the night sky.

In the early days, parol had simple star shaped designs, but they have evolved a lot over the years. Today, the biggest ones are about 40 feet in diameter and shapes vary from floral patterns to religious symbols. They are generally made from materials like soft drink straws, crepe paper, glass, plastic, bamboo dowels, and some even contain assorted electronic parts. For the artists who make the parol, excelling at their work is a matter of pride and building a reputation. Several hours go into the making just one of these superb works of art, and the cost can rise to several thousand dollars. Of course, once the Holiday Season is over, their creations have little use.

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It’s at times like this that I simply don’t understand fashion trends. I mean, what would prompt otherwise normal teenagers to consider something as horrendous as braces to be a fashionable accessories? Don’t get me wrong, I think braces are an extremely useful dental tool and I used to wear them as well, but I always dreamt of the day I would be done with them forever. Kids in countries like Thailand, Indonesia and China, however, think very differently. For them, braces have become a huge teenage fashion statement.

As unfathomable as the trend sounds, there’s actually a reason behind it. Just as ‘plump’ people were thought to be attractive at one point – as a sign of prosperity – braces to the Asian kids are a sign of wealth, status and style. The reason: genuine orthodontic braces are quite expensive. A set of braces in Bangkok would set you back about $1,200. So all the kids want to wear what the rich kids are wearing. Braces are also popular among young celebrities and youth icons like Indonesian heartthrob Andika Kangen and Thai pop singer Earn the Star. Many Thai and Indonesian websites display pictures of Gwen Stefani sporting braces back in the 90s. Apparently, she had recently confessed that her braces were a ‘fashion choice’, and she’s since become an instant hit with Asian kids. The internet is littered with countless blogs and websites on fashion braces. I tried googling them and found that braces are available in an explosion of colors and varieties.

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There are some things in this world that are simply beyond explanation. Like the fact that in the past 50 years, about 50 dogs have jumped to their deaths from the exact same spot on the 100-year-old Overtoun Bridge in Milton, near Dumbarton, Scotland. In 2005, five dogs had jumped in a span of just 6 months. The canine suicide spot is located between the last two parapets on the right-hand side of the bridge, which is where all the dogs took the fatal leap. And to add to the strangeness, almost all the incidents have taken place on clear, sunny days, the dogs always being long-nosed breeds – collies, retrievers and labs.

The situation, according to the Scottish Society for the Prevention of Cruelty to Animals, is a ‘heartbreaking mystery’. “There are lots of owners whose dogs have died and who are trying to find out why they jumped,” the Society says. One of the victims on the bridge was collie dog Ben, who leaped to his death in 1995 while taking a walk with his owner Donna Cooper, her husband, and her son, Callum. Without any warning, Ben just leapt over the parapet and landed on the rocks below after a 50ft fall. Suffering a broken paw, back and jaw, the vet decided that it wasn’t worth putting him through the pain. “Callum still asks about Ben. He was very upset by the dog’s death and wants to know if his leg has been fixed in heaven,” said Cooper, a year after Ben’s death. The case of golden retriever Hendrix was pretty much similar, although she got very lucky. Kenneth Meikle, her owner, said, “I was out walking with my partner and children when suddenly the dog just jumped. My daughter screamed, and I ran down the bank to where the dog lay and carried her up to safety. Next day, thank goodness, she was fine. We were lucky because she landed on a moss bed which broke her fall.”

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A century old ritual in India dictates that those considered low-caste Hindus must roll in the remains of food eaten by members of a higher caste. But it’s not the ritual itself that’s strange. The strange part is that while social activists are actually seeking to outlaw the practice, the ‘low-caste’ Hindus don’t want to stop rolling in the leftovers.

The ritual, called Madey Snana (Spit Bath) is specific to the state of Karnataka, during an annual event at the famous 4000-year-old Kukke Subramanya temple in the coastal district of Mangalore. It is also followed at the Sri Krishna temple in Udupi town. As a part of the century-old Snana, Dalits (members of a lower caste) roll over leftover food eaten by Brahmins (the upper caste) every year, in the belief that all their troubles will disappear and ailments will be cured. It is practiced every year on the festival of Champa Shasti or Subramanya Shasti. Last year alone, 25,000 people rolled over the ‘spit’ of the Brahmins. This happened even as the district administration watched helplessly after their attempts to ban the practice failed.

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Up until now I’d always associated Belgium with chocolates. But not anymore. Not since I read about the gut-wrenching (well, maybe that’s an exaggeration) experience that customers have at the Hotel CasAnus, located on a small island halfway between Antwerp and Ghent in Flanders, Belgium. The place is just as horrendous as it sounds, at least as far as exteriors are concerned. Shaped and designed like an enormous human intestine, the hotel is the creation of Dutch designer Joep Van Lieshout. The place is one large human colon, and the finishing touch is the rear – a giant replica of an anus.

Not everyone might envision spending their vacation inside a structure dedicated to the human digestive system, but surprisingly, a large number of people are actually interested in such an experience. The interiors aren’t all that bad, featuring double beds, showers and central heating. Run by Belgian art lovers Geert and Carla Verbeke-Lens, who purchased it as a part of their collection at the 30-acre Verbeke Foundation sculpture park, is certainly one of the most unique hotels to spend your vacation at. According to Carla, “guests are really happy to sleep undisturbed in a place surrounded by nature. They can see black swans and frogs and discover the stars in the night sky, as well as visiting all our different exhibitions. More and more travelers are coming to us from all over the world to explore what they call a ‘unique place’.” That’s no exaggeration, stats show that more than 20,000 tourists visit the Verbeke Foundation each year and many of them choose to stay at CasAnus. Several other activities take place at the foundation, like art exhibitions of collages and bio art.

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Scattering a loved one’s ashes in water is apparently a thing of the past. At least, as far as pets in Sydney are concerned. Ashes to Ashes, a service run by trained circus performer and pyrotechnician Craig Hull, allows people to part with their pet’s ashes with a bang – sending them up in the air as fireworks, descending onto the waters of Sydney Harbor as their final resting place.

Hull first came up with the idea for Ashes to Ashes when his two beloved dogs died three years ago – Zeus, a German shepherd-akita cross and Gyprock, a white lab-cattle dog cross. They left a big hole in the performer’s life that he felt could be filled only with a big gesture of love. Having already scattered the ashes of a dear friend during an aerial routine at the opening ceremony of one of the Olympics (he won’t say which one), he wanted to give his dogs something even more spectacular. “I thought I’ll get a job as a pyrotechnician and I’ll send them up in fireworks. So I did,” says Hull. The event finally occurred on Sydney’s New Year’s Eve fireworks display in 2010. Hull says that he had a “vision of color and light” as his dogs’ ashes were fired into the skies that night, as opposed to the “sad memory of scattering them into the water.” “To be able to scatter someone’s ashes like that, scatter them over a huge area in the air was incredible. To be able to look up to the heavens when you send your loved ones off is a pretty amazing feeling. And I thought this is so amazing, other people should be able to experience this as well,” says Hull.

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It was only a few months ago that we told you about this professional cuddler in New York who provides snuggles and cuddles for a fee. Now we’ve found out about an entire workshop that’s dedicated to the act of cuddling, this time in London. Organized by 36-year-old Anna Nathan and 42-year-old Neil Urquhart, the workshop takes place twice a month on Sundays and costs £29 (about $46). Participants at the cuddle workshop get to do just that – hold each other.

But it’s not just ‘ready-set-cuddle’ from beginning to end. There’s actually a process that’s followed during the four-hour sessions, for the participants to get acquainted before they can hold each other in full-on cuddles. And of course, there are rules as well. According to Anna, “You don’t have to do anything you don’t want to do.” Some of the other rules include keeping a layer of clothing on at all times, placing your sexual energy aside, and the most important – no kissing. Attendants at the cuddle workshop come from various walks of life – ranging from a divorced 30-something badly in need of a hug, to a retired and lonely person. The room in which the classes are held is quite cozy, with green and red cushions scattered on the floor. However, the temperature is mostly cool, perhaps to encourage participants to keep their clothes on at all times.

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Children are generally not permitted to play with matchsticks, but nothing could keep Wieslaw Laszkeiwick away from the tiny sticks of wood. Ever since he was a child, building models out of matchsticks has been more than a pastime for the self-taught master. He treats the activity like a prayer. And what he likes to build most are houses of prayer. Now 58 years old, this Polish folk artist works with hundreds of thousands of matches, pieces of cardboard and microscopic slides for several months at a time, creating beautiful replicas of churches around the world.

Laszkeiwick lives in a wooden house with his son, where one of the rooms is used as a workshop. It’s in this room that he spent over 40 years creating detailed structures using matches. One of Laszkeiwick’s most notable works was a replica of the 17^th century monument, the Church of St. Nicholas in Zamosc. The completed structure stood almost 5 feet tall and was intended to be a gift to Pope Benedict XVI. What pleased him so much about the St. Nicholas church was its spherical dome. To create the replica, he used almost half a million matchsticks bound on to matching paper. After the building was complete, he covered it with several coats of varnish and special glue that prevents the matches from warping after they are attached. He also mounted a bulb inside to illuminate the intricate stained glass windows, made from hundreds of pieces of glass. Elements such as doors and gates were carved, and a he fashioned a bell out of specially prepared matches. It took him a whole year to complete the project.

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Who would have thought that an ordinary carpenter’s handsaw could be used to produce music? But apparently it can, and has been for the past 300 hundred years. And in order to commemorate this bizarre yet unique tradition, the NYC Musical Saw Festival is held in July of every year, in Astoria (Queens), New York City. Ever since the festival was established by founder and director Natalia ‘Saw Lady’ Paruz in 2003, musical saw players from all over New York and the world have come together to preserve and honor this rare form of music. In fact, for saw players in far-flung countries like Germany, Sweden, India, China and Japan, Astoria has become a pilgrimage place of sorts. Every year, the sawist who travels the greatest distance in order to attend is awarded the title of ‘guest of honor’.

At the Musical Saw Festival, the players socialize and hear each other play. There are solo performances and jam sessions as well. They even take the opportunity to educate each other about the different types of saws and various techniques of playing. Overall, the atmosphere is said to be rather friendly and encouraging. But the festival is not limited to saw players. The event is open to the public, so people are welcome to come in and learn about the musical saw, or just enjoy a concert or two. An art exhibit and a workshop are also part of the festival.

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